The (Not So) Gentle Parts: a Poem

You talk of your soul ossifying –
the soft parts hardening,
but I’m preoccupied with
pulling out the hems of reality,
ripping out the stitching.

I refuse to yield.

To be soft for too many years
means
to decay,
to become moss underfoot
& I refuse to become trampled.

They told me that the way you identify
lace is by its holes,
and I know now,
I never want to be recognized
by what I lack.

Instead,
I hunt for the parts of myself
that used to be consumed by the patriarchy
and men with hunger for eyes.
(The pieces of myself
that were consumed
because I swallowed my teeth
to make myself more digestible.)

But I don’t need a flashlight
or a search party —
I can be discovered quite easily.

I’m not the girl who I thought I was.
I’m the woman who refuses to surrender.
I forget my fight sometimes
(like the candle who neglected her flame),
but I am prepared for war.

I am no longer paraffin wax that pours down smoothly-
only to harden on your lungs.
I’m not the gentle pieces you stepped upon –
the dandelion you crushed & never asked
forgiveness of.

Isabelle Palerma

Lingering Regrets: a Poem

Every syllable, every plosive shatters the remnants of once held promises.
Shards of broken vows pirouette across the rubber of my tongue.
Each word a lacerating cut like a needle,
like the fine lines etched into my palm for an oracle’s prophecy or an artist’s sketch.
My mouth tastes of iron and of rust, and my head is a beehive, swarming with thought.

My name is Regret — don’t you have a few?
As imperfect as you were, do you ever carry the weight of remorse?
Of course you can’t answer.
The ghosts never respond.
I’m alone in my grief & in my solitude, I cannot beckon Lazarus to awaken from his slumber.
This is my greatest sin —
for which there is no redemption.

Isabelle Palerma

Serenade to the Dead and the Damned: a Poem

Love is a Ouija board for the lost souls and the damned —
I will not surrender my planchette if it means giving control to the ghosts.
I contain within me a cemetery with anonymous tombstone and nameless crypts.
I thought mausoleums were meant to be quiet & this one is as loud as a burlesque hall.

You are a ghost & I cannot commit to a life
of haunting.

Seances never felt like homecomings but I gave you my last dance – those nights always scented of clove cigarettes and nostalgia heavy like cologne –

I remember watching the moon cut through trees and thought myself a spirit drifting in & out of your life.

Isabelle Palerma

Runner: a Poem

I’m writing absences where
your heart used to lie,
lacunae where stars used to soar.
You were my sanctuary,
& I thought I believed in
forever.

None of this is broken,
but sometimes, parts of me
fracture.

Every time I try to write,
memories of who I was or
who I could be resurrect
like Lazarus from a tomb.

My skin is barely hanging on my body & I have grown frail.
My desires are no longer carnal,
and my rage no longer violent.
(She told me the years would soften me like overripe fruit,
and I denied it like my hard edges
have an advantage.)

Now, here we are at the gates
and Peter interrogates me —
he asks me why I harbored so much hate,
but even if I have forgiven,
I couldn’t be lace and be defined by my empty spaces.

I feel like I’ve ruptured,
and a part of me will never be the same.
I’ve said it before, so maybe I’ll say it again,
a fabulist isn’t always a liar —
sometimes, just a storyteller.

I followed this line until it fractured
and you taught me about the
fault lines I never grew up along.
He asked me if I still smell like
autumn,
and people clamored to say
hazelnut coffee or brittle fall leaves.
I never knew who I was,
only what others saw.

I couldn’t be lace.
I read through the doctor’s notes
and they all diagnosed me the same –

a tired cliché.

This isn’t Plath nor will it ever be,
but the most I can ever ask for
is someone to love me as I am,
to take me into their arms,
and not to simply tolerate –
not to merely accept –
but to cherish, to celebrate,
to worship, & to love.

You gathered all these different parts of me,
all the different eras,
and you saw who I was reflected through each,
and you swore you’d stay
(as long as I didn’t push too hard).

I’ve been pushing people away
for centuries now,
and I’m tired.

This certainly isn’t the poem I started,
but now that you see me clearly,
tell me –
will you be the one to run?

Isabelle Palerma

Where Memories Once Towered like Infernos: a Poem

I remember tasting the tobacco shored in your lungs,
and you had the courage to tell me
my auburn hair smelled of a bonfire.

I once vowed a dress I owned would forever smell of rain
and my ink-stained fingertips would fidget – restless
with memories,
but now, when I cradle myself to sleep,
my eyes are empty.

I no longer name the silhouettes
that landscape my bare walls
or dance along my broken skeleton bones.

I remember when my brittle skin was
scented like my favorite library,
but no one picks up an abandoned tome
when the ink that travels the pages
is nothing more than a smudge and ashy dots.

I am an empty teacup in a house that is
haunted with your name.
When I reread the letters you wrote me,
shards of glass glitter along voids of thought,
threatening to lacerate the emptiness.
To puncture the silence where
memories once towered like infernos.

Isabelle Palerma