Pieces of You [Her]: a Short Fiction

Write a story based on a line from a movie.  (June 28, 2025, Out of the Box Prompt.)


“The worst part is I’m starting to forget. I have to constantly make myself remember her. Every day.” (Ricardo Morales from “The Secret in their Eyes”.)

Still frame from the film “The Secret in their Eyes”.

How can you forget the person you love? How can I have looked you in the eye morning after morning, kissed you good night and now, your name is all but a cypher. A code I cannot break. Everything I do, and yet I cannot conjure up the memories of you as I once did.

You are my love. In my notepad – the one where I jot my most important information into – I write your name over and over until it looks like a meaningless scribble, scrawled letters without any context.

I’m too young for this forgetting disease. But they told me it’s not the brain plaque like some folks get. It’s something different, and, of course, the doctors have explained it to me in a thousand different ways. Each time, I think I understand and I write it down, but when I try to read it later, none of it makes sense.

I curl my hand into a fist and slam it onto my desk. It’s frustrating. I feel like a child, or worse, a lab rat.

Telling myself I’ll remember makes no difference. I always end up forgetting. Your name is just empty syllables. Even when I say it, it is ash in my mouth.

I want to curse, but all the words are the same. I curl my hand into a fist and slam it onto my desk. When I look into a mirror, I scarcely recognize the woman I have become. When I pass you in the hall, you are a stranger. Weeping, I beg you to remind me who you are, who we were.

So, you do.

You don’t just say our names, but you tell the history of us. The way you kiss me like the very act of kissing would braid our souls together. You tell me how though you always loved me, you never married me.

At this, I feel my brows furrow.

You explain, “I never wanted to steal your wild. You were a flower I did not want to pluck from the earth.”

I feel myself smile. I feel myself soften.

I wish I could let go because even in forgetting, I still find pieces of you I remember.

Often, you take me into your arms and dance with me, whisper about the scent of the seasons. Spring – honeysuckle. Summer – fresh vanilla. Fall – cinnamon and bon fires. Winter – impending snow storms. You say my scent is your favorite.

That I smell of autumn. I am a woman of cinnamon sticks and bon fires.

But I do not know why. I never wear perfume.

Yet you breathe me in as though I will save you. I begin to forget you.

One day, I struggle for breath. It’s hard to remember. These basic tasks. This remembering.

I gasp. The breath is fleeting. The memories are going, too. I want to say goodbye, good night, but I can’t even remember the breathing.


Eleven years is a long time. You’ll forgive me, won’t you, my love?

We watched the sun rise like a film strip from a movie, drinking Darjeeling tea, every morning. Every moment felt like magic. Her hair, like cinnamon and bon fires. Her skin left me breathless. Enchanted.

We whispered our secrets into the bottom of the kettle and into the shape of each other’s ears, like forming mists and watching them drift away. One morning, after telling my sins, I knotted her a dandelion ring, the only promise I ever knotted her. I asked forever.

Her eyes glittered with tears as she accepted.

It wasn’t marriage, but it was love. I thought when I said forever, I’d wake up with wrinkles etched in our faces. Eleven years is a long time.

She’s been gone, and graves are unyielding, unforgiving. The worst part is I’m starting to forget. I have to constantly make myself remember her.

Every day.

Yet she was the one with the forgetting disease.

My mind is slowing, wading through the molasses-pain of grief, yet the anguish is thick and blurs the details. I wish I could remember, but maybe forgetting is safer. Numbness is safe. There’s a reason surgeons anaesthetize.

But I pull out our photo books. I find the videos I made and listen to her voice. Her lilting accent like a song. Her eyes haunt me, begging me love, love, love, even in memories I scarcely remember.

Forgetting feels safer.

Was she always crying out for help? Was she always begging me for answers?

I wish I could let go because even in forgetting, I still find pieces of her I remember.

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.

Needs: a Poem

A prompt from Odessa Grimm.

“I was not born to be quiet.”

I did not come into this world quietly.
My birth was not out of fairy tales
but horror stories of blood
and weakening hearts,
mothers who felt torn apart by my cries.
The shrieking of a baby
who would not be silenced.
Even in slumber, I begged for someone
to love me.
It was about love, about need.
I always needed.
It was something that seemed like greed
to those who did not understand,
but if I could vocalize those cries,
I could tell them
I was not born to be quiet.
I simply had needs
I could not put to words.
Needs for love and attention.
And now, as an adult,
I still cry out,
begging, at times,
for love and attention.

Isabelle Palerma

An Excerpt from a Second Work-in-Progress

Another scene from a different work-in-progress. I’d love to know your opinions!


From miles away, incandescent light glowed from the City of Glass. Beautiful, glittering light sparkled in the inky blue-black twilight. A horse detached itself from a carousel and galloped into the dark, leaving a scintillating gilded trail shimmering behind him. The horse was as black as midnight with golden constellations on his back, desperate to leave his post.

No one was around to see except the young girl who hid behind a twisty and gnarled tree. She did not speak but watched as the bars that had speared the horse separated. The horse had wriggled through and the girl continued to stare at the gold glittering in his wake. She thought she should warn someone in the city, but even here, even now, she had no voice.

It felt like the horse was seeking freedom, and the girl understood the need for freedom, too. But her voice was empty. She had no words.

Under the hollow of the moon, she opened her mouth and screamed. The scream was the only voice she had. And the scream separated the City of Glass and the carousel horse from where she lay, thrashing in a bed.

The shrieking awoke her younger sister who was only a few feet away. She ran to her, bridging the distance. “Evelyn,” the silent girl’s sister cried out, shaking her. She continued to throttle her sister to wake the girl, to stop the screaming.

Tears flowed down both sisters’ cheeks but for vastly different reasons. When Evelyn awoke, her hazel eyes were unfocused. The horse, the horse, she thought, but the words would never come out.

Ella knew better than to expect Evelyn to speak. Everyone did. Yet Ella stared, expectant, hopeful.

But then, as she watched, Evelyn’s demeanor changed. She began to gasp, to clutch at the thin air, clenching and unclenching her fingers. Evelyn’s face paled, the color of paper in the dim moonlight. She lunged forward, grasping at nothing.

Ella gnawed on her lip, helpless. Frightened.

Then, as though all the life-wind had been sucked out of her, Evelyn collapsed backwards on the thin mattress, shuddering. Her frail chest rose and fell. Ella couldn’t help but think how fragile her sister looked. How weak her bones.

At Wyndhurst Academy, the other children often kept to themselves, and that autumn night as the wind whipped against the shutters and the rain pelted the roof, as the girl tossed and turned, they slept. Or at least pretended to.

Ella, Evelyn’s sister, crouched beside her sister’s bed and stroked her hair, coaxing her back to sleep with a quiet lullaby. As Evelyn started to lightly breathe again, Ella pried her sister’s hand open. The fist she had formed held something. Not empty as Ella suspected.

The fingers parted contained a ceramic horse as black as midnight with golden constellations on his back. Its painting was slightly faded, yet Ella was transfixed.

Where had the carousel horse come from, she wondered, and why was Evelyn clutching it like it was a dead man’s treasure?

Isabelle Palerma

A Wish: a Cut Up Poem

In the early 2000s, I found myself really into the Beat era of literature and exploring that scene. William S. Burroughs is a local author who was popular in the Beat era. He utilized what is called the “cut up” experimentation method of writing. He learned this from a painter, Brion Gysin.

I have experimented with a stream-of-consciousness piece and cut up some of it and edited it into a poem.

The result is below.


All I had was birthdays and
these trying few.
My holding conversations,
stories,
constellations for why I’m running.
Not writing or holding my breath.
They wonder
did we see lines like breathing sometimes?

Especially those I long to remember –
the air of the lungs I journal about,
things I am told to write of and the lover
of which I am incapable of writing,
the body he and me cannot share
because air he loved like so
(like need).

For to be a cigarette is something I wished.
Smoking, gasping, and in his lungs
deeply unbroken.
You knew first: water.
And do as philosophy,
go to the depths.
I finally dove but too deep.

When not gasping,
you and I long for that sensation,
holding your breath,
holding my breath.
And you’re punctuation.
A wish for a concept.
A wish for me.
Let me be intimate,
young.
All I had was birthdays and
these trying few.

Isabelle Palerma

Stitched: a Poem

With a concept from kiki_poetry, I am using a line of poetry from an Asian-American or Pacific Islander poet in honor of AAPI Heritage Month.

Today’s line comes from a poem by No’u Revilla, “When You Say ‘Protesters’, instead of ‘Protectors’.”. As per kiki_poetry’s instructions, I will italicize the line from “When You Say ‘Protesters’…”.


Every devastation you have granted me
is one too many.
I bleed, but only because you know where
to stick the blade.
We were taught love is a synonym
for sacrifice,
and paramour is on par with martyr.

So I opened my heart to you and gave you
its contents
willingly.
But the ugly truth is
in your mouth,
even womb is wound,
and my gift of love,
of life, was never enough.

You looked at those with gray in their eyes
and stenciled their names into your skin
like it was a colossal act of heroism,
but I was the one
ripped open
and never stitched back
together.

Isabelle Palerma