• A prompt from deepwildcoaching:

    “What memories linger in the scents we carry?

    Remember a familiar scent. What person, place, or moment did it awaken?”

    i: lessons in baking

    Like a dusty road
    unwinding
    in front of me,
    the scent of slightly burning
    sesame seeds curls underneath my nostrils.
    A memory unlocks
    quietly.

    First,
    the memory
    of you
    at the stove,
    nimble hands
    moving the dials
    and the way you
    were like a bird
    quick, quick, quick
    fluttering around a kitchen
    designed for the 1960s.

    Next, you never told me recipes
    or exact amounts of anything.
    A dash of this,
    a sprinkle of that.
    “You taste it,” you told me,
    “that’s how you know.”

    And then, you would move
    to the bowls.
    The yellow-green bowls
    my mother now uses to mix
    salads.
    And you would use
    your soft, your Jergens soft
    hands to mix the dough,
    and form fingers.
    They were to become cookies,
    and then, sprinkle them
    with the sesame seeds.

    Not too many, not too little.
    “You’ll know,” you reminded me.
    Baking isn’t a science
    as much as everyone says,
    it’s an art.
    It’s a love.

    But even in love, even in art,
    there are rules,
    there are boundaries.
    A little bit here,
    a little bit there.

    Finally, you tried to teach me,
    but I was so young
    and so naïve.

    I didn’t belong in a kitchen,
    and I wasn’t learning
    the lessons you were
    imparting.

    ii: the softspun scent of patchouli & somewhere home

    I never stopped
    to consider what home is
    when I was surviving.
    Life is too chaotic
    to slow down
    when you’re fighting

    an arsonist’s
    wild, beautiful destruction,
    a hypnotist’s
    elaborate, tantalizing lies.

    Yet I somehow found
    the syrup slow of love
    in your embrace,
    and though you are not gone,
    nor are you a memory
    like a song half-remembered,
    your scent does bring me
    back

    to a slow dance
    in the autumn,

    the hum of you
    in my ear like yesterday.

    I don’t even know
    if it is patchouli —
    heavy and dark —
    or citrus —
    cloying and bright–
    or something completely
    different and foreign,
    but I keep the thought of you
    close,
    inked on me
    like love letters scripted
    on bone.

    And as the ricochet of love
    quiets my demons,
    I know this.

    Love is not determined by
    a scent,
    and home is not dictated by a place.

    Love is you.
    Home is you.

    iii: you called it something cute, but we all know…

    The scent drives them away.
    A repellent.
    I had a lover tell me
    I smell of cinnamon,
    of bon fires,
    of the month of October,
    but autumn most of all.

    And now, I roll on a perfume
    that has a clever name
    and notes of bergamot
    and jasmine,
    of melon and amber,
    vanilla and sandalwood.

    To me, I smell rich and luxurious.
    Like the color burgundy.
    Velvet hues.

    But men I know,
    turn up their noses.
    They’d rather smell something
    light and harmless.

    And maybe that’s the point.



    Note: I meant to write about the dead, the memories, but there are too many dead who are buried with the scent of dirt as their final memory, and they deserve more. So, I’m honoring the living now, and perhaps, as the grieving pulls the gauze from my throat, I can speak of the dead I remember. “lessons in baking” is dedicated to Josephine as I remember her. But the rest — still live in my heart and somewhere between the stanza breaks and here.

    Isabelle Palerma

  • A prompt from deepwildcoaching:

    “A name inherited, remembered, or longed to be known. Perhaps it belongs to an ancestor, a loved one, or a part of yourself waiting to be remembered.”

    i: dear grandpa,

    Grandpa, Grandpa, Grandpa,
    I cannot tell the difference
    between rosary beads clacking
    and bones rattling.

    Nearly thirty years have gone by,
    and your ghost still calls to me –
    like smoke unfurls itself
    from a fire.

    I can no longer summon your voice
    from memory like a sèance,
    and the ache isn’t as sharp.
    But even dull axes carve deep wounds.

    I can still smell the spice
    of your aftershave,
    though I’m not as hungry for it
    as I once was.

    Dreams bring you back occasionally,
    but time has thinned us
    to whispers,
    to almost-strangers
    with similar facial structures.

    Though I must ask:


    Do strangers miss one another
    every single day?

    ii: this lucie

    The stories say
    St. Lucy plucked out
    her own eyes because a suitor was attracted
    to them.
    But this Lucie I knew framed her eyes
    with midnight liner
    whenever she left the house.

    St. Lucy — a martyr.

    This Lucie faded from existence
    one day, perhaps died for a cause, too.

    Simply vanished without
    a goodbye,
    but she’ll always take
    a shard of my soul
    and grasp it in her palm.

    I hope the piece she holds
    of me
    is soft and gentle.
    I hope it is not glass
    and it does not pierce
    her fragile skin.
    (She was always so delicate.)

    Her version of goodbye
    read like a perfumed forever,
    and it haunts me.
    The agonizing words were
    from a poem
    she had scribbled,
    an ache she longed to
    exorcise:
    “I gave you the best of me,
    and now,
    I’m just a husk.”

    She was always more than
    an empty shell,
    but she was just a fragment,
    a part of something
    never fully integrated.

    If I could bring her back,
    I’d at least tell her
    goodbye
    and show her
    she was loved.
    Teach her about the legacy
    of the words she abandoned.

    I’d ask her for forgiveness
    for not loving her enough,
    this Lucie I was.

    iii: rose

    I never knew you,
    but you gave a name
    to the one I do know
    and birth to a man

    who smelled of cigarette smoke,

    who was barbed wire
    to most
    but loved his princess.

    Your name is floral,
    but I imagine you strong.
    An immigrant who came over
    for a better life
    with a husband escaping
    things he feared.

    I imagine you strong, and he,
    timid.
    You on a boat
    to an unknown place,
    round with a baby
    in your stomach.
    Broken English at best, but
    maybe none at all.

    The Sicilian English hybrid
    we adopted from your son —
    my grandpa —
    are some of the things I clutch to keep our past
    here, alive.
    The food we share.
    And some of the memories.

    But Rose, I never knew you.
    You’re a name, a vague story,
    but even the story is muddled between fiction and fact.

    I wonder
    if I had known you,
    would you have liked me?

    Isabelle Palerma

  • A prompt from brightblackhoney:

    “Write about what you can’t stop returning to — a color, an image, a memory, an ache… but never name it directly.

    Write 3 to 5 fragments.

    • An observation.
    • A confession.
    • An accusation.
    • A prayer.
    • A fact.

    Contradictions welcome.”


    Paint splatters on a wall,
    bottles of beer at a bar,
    and an ashtray between us,
    your hand dangling near mine,
    as you tell me
    things are changing.


    A cigarette in your mouth,
    “I’m turning a new leaf,”
    you say,
    which sounds an awful lot
    like, “I love you.”

    And at the time,
    I’ll admit,
    I thought I loved you too,
    but every August,
    fury claws through my chest,
    rips at that beating heart
    of mine
    and makes me want to scream at you.

    We never fought much,
    but now,
    I just want to yell at you, scream in your face,
    but no amount of yelling changes facts.

    And even though I’m not
    the praying type,
    once in a while,
    I’ll look up at the stars
    and ask someone
    if you can hear me,

    wherever you might be.


    And ask someone
    if the constellations can forgive me
    for wanting you back.

    Because best friends shouldn’t abandon best friends like that.

    Isabelle Palerma

  • She stood near the bleachers, the air a weird mix of stale, prickly sweat and teenage boys’ spicy cologne, hating every minute of being in eighth grade. Her fingers splayed over the rich blue taffeta material of her ball gown. Abruptly, almost angrily, she pinched the material. The music hadn’t begun yet, and despite the faint murmur of her classmates in the distance, she could still hear the fabric crunch between her finger and thumb. Again, she pinched the fabric, then released.

    While its bright blue fabric and nearly metallic sheen and wide flare of its skirt had looked so beautiful in the shop, now, she felt like a doll on top of a cake — frozen, immobile, out of place, and worst of all, out of touch. The other girls in their silky slip dresses looked effortless, but most importantly, they looked cool. And when they smiled at the cameras, their teeth gleamed white without being ensnared in a cage of metal.

    Ugh, she thought, no wonder Michael MacAvoy won’t notice me.

    And yet, as she stood there, playing with the fabric, watching it fold and spring back, listening to the soft, near-silent crush, uncrush, she couldn’t help but replay what the shop owner said.

    She thought about the midnight sky. She thought about a sky littered with stars. And she remembered the owner telling her mother and her the dress was an obscure shade of cobalt.

    And though her mother didn’t speak to her the entire car ride home, fuming over spending seventy-five dollars on a dress she’d wear for one evening, Lucy Thomas clung to that phrase like a prayer. “An obscure shade of cobalt.”

    As she cowered in the backseat of her mother’s minivan, trying to drown out the lecture, she heard those words again and again: “an obscure shade of cobalt”.

    But here in the gymnasium, with the other girls in their knee-length dresses and sleek, straight hair, she felt frumpy. Her mother had done her hair in some complicated updo with curls and tiers of braids and so much hairspray it could choke the entire eighth grade class.

    And the words that felt like an incantation, like a prayer, “an obscure shade of cobalt” felt like a curse, and the ankle-length dress that felt like a dream in the store made her feel cumbersome and silly at the dance.

    She just wanted to go home, slip into a pair of jeans and her favorite t-shirt, and escape into a good book. She sighed. Nobody would notice if she left. None of her classmates. Surely none of the chaperones. Even they were busy, talking to each other.

    She glanced longingly toward the exit door.

    Nobody would notice.

    Not a single person.

    And yet, right as she was about to make her escape into the twilight, she heard a pair of footsteps directly approaching her, a voice hissing her name, “Lucy,” he called once.

    Then, “Lucy,” again, more urgently.

    to be continued…

    Isabelle Palerma

  • Today is the day I keep breaking my own heart.

    I can’t remember certain voices. Yours. Hers. His. A lot of people’s. Lovers. Friends. Family. People I thought I would know forever who are now just … Gone.

    I have a sky filled with clouds where before, there were constellations. Today is rainy. It’s like the sky burst into a fit of sobs when it realized I couldn’t remember.

    I try to conjure up those memories. The voices I thought I would never forget are now thin wisps of smoke dissipating before I can catch them.

    Everything is different when time passes. The things you thought you’d know forever, the people you thought would stay around, justvanish. & you only have time, death, and yourself to blame.

    …this isn’t poetry. this isn’t fiction. It’s not even an apology really. Just the sobering truth of a rainy Thursday afternoon.

    I think of graves I haven’t visited and eulogies I never said. People whose voices I haven’t heard in years and may never hear again.

    And then, I think I don’t want closure. I don’t want to say goodbye. I just want things to last a little while longer.

    I want to tell a friend to hold my hand through the dark a little while longer, so I can hold hers a little longer, too.

    I want to tell my lover to kiss me a little longer just so I know I’m not alone in this wild, untamed universe for a little longer.

    I want to tell my mother, my father, my brother, to pose for that picture, to leave that extra-long voicemail.

    but I say the wrong thing.

    I fumble my words.

    I make conflicts where I mean to create joy. I craft problems where I hope to discover new beginnings. & yet things wilt around me like relationships and plants and Life.

    Too many people I love have died. I could fill a book of names of those I love who have passed. And I’m ready for the rain to stop. To stop flooding these streets and to stop flooding my eyes.

    I just want to stop losing at love,

    at life.

    Isabelle Palerma