new poet

The Garden of Eden: a Poem

On January 18, 2015, at Stanford University, Brock Turner, a nineteen-year-old student, sexually assaulted Chanel Miller while she was unconscious. On September 2, 2016, Turner was released after three months for good behavior – only half his original sentence.

The original scene of the crime is now a garden.

If we could landscape the horrors
and build walls of stone (to call them beautiful),
we would.
But remember –
even without these gardens planted,
you can upend our worlds.

There are names we never speak in our households
like giving Satan a title (a crown) –
James, perhaps,
or
Geoffrey, maybe.
The boys with ruddy skin & sharp teeth,
the boys with trust funds and drinking problems.

The girls we worry about are the ones
who think “no” isn’t a reason
or that “stop” isn’t a complete thought.

*Photo by* *Yana Mazurkevich’s* *photo series,* “It Happens”.

The ones who break us are the ones who teach us
rejection doesn’t matter —

nothing matters.

Boys aren’t always just boys.
Boys can be feral creatures:
unforgiving with dried blood
underneath their crescent moon nails.

Boys like Nathaniel and Brock and Christopher.

(The boys you thought were beautiful
are the ones who disrobed you
with their lust & savagely attacked your beauty
with no regard for how you crafted your stars
or lingered over your constellations.)

Manipulate me,
but I will always say your name.

I will not be quieted
because like the author warned me,
the girls who swallow their teeth
are the ones who get eaten.

So, I will not get roped into settling for
the garden of Eden and blamed for taking a bite
of the fruit of knowledge.

I will not be silenced.
I will not be vanquished.
I will scream.

Isabelle Palerma

The crime scene where administration refused to let the words Chanel Miller chose be placed on a plaque in honor of victims of sexual assault.

Our voices will be heard.

We will not be silenced.

Serenade to the Dead and the Damned: a Poem

Love is a Ouija board for the lost souls and the damned —
I will not surrender my planchette if it means giving control to the ghosts.
I contain within me a cemetery with anonymous tombstone and nameless crypts.
I thought mausoleums were meant to be quiet & this one is as loud as a burlesque hall.

You are a ghost & I cannot commit to a life
of haunting.

Seances never felt like homecomings but I gave you my last dance – those nights always scented of clove cigarettes and nostalgia heavy like cologne –

I remember watching the moon cut through trees and thought myself a spirit drifting in & out of your life.

Isabelle Palerma

Runner: a Poem

I’m writing absences where
your heart used to lie,
lacunae where stars used to soar.
You were my sanctuary,
& I thought I believed in
forever.

None of this is broken,
but sometimes, parts of me
fracture.

Every time I try to write,
memories of who I was or
who I could be resurrect
like Lazarus from a tomb.

My skin is barely hanging on my body & I have grown frail.
My desires are no longer carnal,
and my rage no longer violent.
(She told me the years would soften me like overripe fruit,
and I denied it like my hard edges
have an advantage.)

Now, here we are at the gates
and Peter interrogates me —
he asks me why I harbored so much hate,
but even if I have forgiven,
I couldn’t be lace and be defined by my empty spaces.

I feel like I’ve ruptured,
and a part of me will never be the same.
I’ve said it before, so maybe I’ll say it again,
a fabulist isn’t always a liar —
sometimes, just a storyteller.

I followed this line until it fractured
and you taught me about the
fault lines I never grew up along.
He asked me if I still smell like
autumn,
and people clamored to say
hazelnut coffee or brittle fall leaves.
I never knew who I was,
only what others saw.

I couldn’t be lace.
I read through the doctor’s notes
and they all diagnosed me the same –

a tired cliché.

This isn’t Plath nor will it ever be,
but the most I can ever ask for
is someone to love me as I am,
to take me into their arms,
and not to simply tolerate –
not to merely accept –
but to cherish, to celebrate,
to worship, & to love.

You gathered all these different parts of me,
all the different eras,
and you saw who I was reflected through each,
and you swore you’d stay
(as long as I didn’t push too hard).

I’ve been pushing people away
for centuries now,
and I’m tired.

This certainly isn’t the poem I started,
but now that you see me clearly,
tell me –
will you be the one to run?

Isabelle Palerma

A Poem from Those Left Behind

A flame was never meant to extinguish this abruptly. Starved of oxygen, your origami letters became ash in a mouth that bled (for too many years).
I would say goodbye, but the word is a branding iron razed against a smoldering tongue.

Forgiveness never came easily for the dead.
Graveyards are full of grudges and barely concealed debts.
When I told you that I loved you, I disguised the words (behind shattered glass bottles and origami letters confettied like New Year’s).

I remember your eyes cold like marbles, frozen like winter ponds.
(I made a half-joke and thought myself funny, but your lips never curled up in a smile.)
This is autobiography, but all you ever asked for was a poem or a story (but not this – not an obituary or an elegy. Not a eulogy or a goodbye).

I could never say goodbye. I ran from endings & ripped the last page out of every book I ever read.

Sometimes, I even wrote stories that ended in the middle of a —

Isabelle Palerma

Where Memories Once Towered like Infernos: a Poem

I remember tasting the tobacco shored in your lungs,
and you had the courage to tell me
my auburn hair smelled of a bonfire.

I once vowed a dress I owned would forever smell of rain
and my ink-stained fingertips would fidget – restless
with memories,
but now, when I cradle myself to sleep,
my eyes are empty.

I no longer name the silhouettes
that landscape my bare walls
or dance along my broken skeleton bones.

I remember when my brittle skin was
scented like my favorite library,
but no one picks up an abandoned tome
when the ink that travels the pages
is nothing more than a smudge and ashy dots.

I am an empty teacup in a house that is
haunted with your name.
When I reread the letters you wrote me,
shards of glass glitter along voids of thought,
threatening to lacerate the emptiness.
To puncture the silence where
memories once towered like infernos.