poem

Shout til Free: a Poem

With a concept from kiki_poetry, I am using a line of poetry from an Asian-American or Pacific Islander poet in honor of AAPI Heritage Month.

Today’s line comes from a poem by Sally Wen Mao, “Anna May Wong Stars as Cyborg #86”. As per kiki_poetry’s instructions, I will italicize the line from “Anna May Wong Stars as Cyborg #86”.

Trigger Warning: Dark themes.

For so long –
too long –
the victors controlled our story.
They told the ending,
wrapped the packaging,
gave it a tidy bow,
and flavored how others saw us.

The men called us “hysterical”.
The rapists said we were “bitches”.
Mothers who found us unlovable
deemed us “troublemakers”.

They all took their turns throwing us
to the wolves,
feeding us
to those with hungry teeth
and starving eyes.

Let’s hijack the narrative,
steer the story ourselves.

We will fight the enemy.
Swim the rising current.
Dance in the streets
the Tarantella.
No longer grit our teeth
but scream if we must.

Shout
and shout
until we are heard
because we will steer this narrative.

Shift this story
from hysterical
to alive,
to fully alive
and aware.

Change our stories
from man-made mythology
to truth.

The truth will free us.

Isabelle Palerma

Whole & Perfect (as Us): a Poem

With a concept from kiki_poetry, I am using a line of poetry from an Asian-American or Pacific Islander poet in honor of AAPI Heritage Month.

I do realize I’m late to the month’s theme, but I hope to make up for it in the next few days.

Today’s line comes from a poem by Sarah Gambito, “Yolanda”. As per kiki_poetry’s instructions, I will italicize the line from “Yolanda”.

I gazed upon you, and you were
a divine feast,
flawless in your imperfections
and everything about you shrieked
neediness.
We were so far from what we came from –
godliness and purity,
and yet,
nonetheless, when we made love,
weeping with each other’s blood
in our eyes,
we stared
and witnessed one another
as whole
and perfect.

Isabelle Palerma

This Vision of Myself: a Poem

Remind me
what it’s like to be exuberantly seven –
climbing trees without worrying about
the consequences of falling
or bloody noses
or if that branch might crack.

What it’s like to chase someone
while riding bikes
without worrying about skinned knees
or twisted, broken bones.

What it’s like to be three –
painting all the colors
because rainbows are my favorite color
and nobody told me my art is terrible yet.

Remind me
it’s okay to be fragile
like I was at fifteen,
easily a pendulum swing,
singing Fleetwood Mac with my boyfriend
in the attic bedroom
one minute, debating what it’d be like
to kiss him,
tasting pot on his breath.
The next, crying
because he’d rather play his guitar
than go to some silly homecoming dance
with me.

Remind me
it’s okay to write the poetry like I did
at eleven,
crying, staring at the moon,
wondering why God robbed me of
the only people who understand me.

Remind me what it’s like to be
in my twenties and trying so hard
to be perfect and in control
when everything was falling apart.

Or my thirties and realizing life
is kintsugi and mosaic combined.

Sometimes, I look at myself
and wonder who I am.
If I’m just a matryoshka doll
disguised as human.
The mirror is broken.
I don’t fully see myself yet,
and I’m not sure I ever will.

Isabelle Palerma

Raw: a Poem

Slice through the heart of me
and wonder why I feel so raw.
There’s bleeding somewhere,
and yet I’m still searching for the cut.
I’ll seek out the scars,
but I didn’t know I was the one
clinging to the knife.

Isabelle Palerma

Lover, Lover: a Poem

A prompt from Maureen Thorson.

“In your poem for today, use a simple phrase repeatedly, and then make statements that invert or contradict that phrase.”

I wasn’t a lover; I was in love.
I transcribed messages from Cupid
onto your skin in lazy patterns.
I wasn’t a lover; I was in love.
I wrote you sonnets for each season
your heart quivered.
I wasn’t a lover; I was in love.
I drank of the light that glimmered
from your gazes.
I wasn’t a lover; I was in love.
I followed the pattern of your gait
and translated it into a message
only Morse himself could understand.
I wasn’t a lover; I was in love.
I took lessons in elocution,
so I could speak your name
in the most divine way.
I wasn’t a lover; I was in love.
I tasted the nectar of your cologne
to better ache for your touch
when you weren’t near.
I wasn’t a lover; I was in love.
I memorized poems to whisper
into the moonlight to send off
so you could still hear me –
even when I wasn’t near.
I wasn’t a lover; I was in love.
I always did love you, even before
the words cascaded from my lips.