The Woman who Couldn’t Die: a Blackout Poem

A prompt from Maureen Thorson.

“Write your own blackout poem. Maybe you’ll find something of interest in the Internet Archives.”

According to Claire McNerney, from The Writing Cooperative, “blackout poetry is a form of found poetry where the poet takes a text and removes words from it, creating a new text”.

Here’s mine:

“The Woman who Couldn’t Die”

She looked like a goddess,
no doubt,
in another way,
she seemed very much a woman.
She was primitive,
casual
in her childlike uncovering of her body,
in the unconcern of the eyes of others
when she bathed.
She knew that she was beautiful;
and she had knowledge of the power
of beauty.

She watched a wild goose fly overhead,
watched it as it disappeared from sight.
“Tell me,” she said, “where did I come from?”

Needling of apprehension through my body.
How much she should be told
was not easy to determine.
“From across the sea.”
“It must have been long ago.”
“Yes. It was long ago.”

Isabelle Palerma

Mourning: a Poem

A prompt from Maureen Thorson.

“Write your own meditation on grief, with a middle section in which a question is repeated with different answers given.”

We dressed our mirrors in black,
hiding our reflections from even ourselves.
Our songs turn to lamentations,
our eyes wet with tears.

How do you mourn your dead?
You speak their name
so they will not be forgotten.

How do you mourn your dead?
You find their symbolic language
and look for them
every day.

How do you mourn your dead?
You don’t mourn the loss.
You celebrate the life they led.
You wear colors so bright
we look like confetti.
You dance under a full moon
to songs that feel like worship.

We visited cemeteries
and talked to ghosts,
whispered prayers to candles.

How do you mourn your dead?
We celebrate the days we shared
and forget the ugly rot of death.

Isabelle Palerma

This Vision of Myself: a Poem

Remind me
what it’s like to be exuberantly seven –
climbing trees without worrying about
the consequences of falling
or bloody noses
or if that branch might crack.

What it’s like to chase someone
while riding bikes
without worrying about skinned knees
or twisted, broken bones.

What it’s like to be three –
painting all the colors
because rainbows are my favorite color
and nobody told me my art is terrible yet.

Remind me
it’s okay to be fragile
like I was at fifteen,
easily a pendulum swing,
singing Fleetwood Mac with my boyfriend
in the attic bedroom
one minute, debating what it’d be like
to kiss him,
tasting pot on his breath.
The next, crying
because he’d rather play his guitar
than go to some silly homecoming dance
with me.

Remind me
it’s okay to write the poetry like I did
at eleven,
crying, staring at the moon,
wondering why God robbed me of
the only people who understand me.

Remind me what it’s like to be
in my twenties and trying so hard
to be perfect and in control
when everything was falling apart.

Or my thirties and realizing life
is kintsugi and mosaic combined.

Sometimes, I look at myself
and wonder who I am.
If I’m just a matryoshka doll
disguised as human.
The mirror is broken.
I don’t fully see myself yet,
and I’m not sure I ever will.

Isabelle Palerma

Raw: a Poem

Slice through the heart of me
and wonder why I feel so raw.
There’s bleeding somewhere,
and yet I’m still searching for the cut.
I’ll seek out the scars,
but I didn’t know I was the one
clinging to the knife.

Isabelle Palerma

Lover, Lover: a Poem

A prompt from Maureen Thorson.

In your poem for today, use a simple phrase repeatedly, and then make statements that invert or contradict that phrase.”


I wasn’t a lover; I was in love.
I transcribed messages from Cupid
onto your skin in lazy patterns.
I wasn’t a lover; I was in love.
I wrote you sonnets for each season
your heart quivered.
I wasn’t a lover; I was in love.
I drank of the light that glimmered
from your gazes.
I wasn’t a lover; I was in love.
I followed the pattern of your gait
and translated it into a message
only Morse himself could understand.
I wasn’t a lover; I was in love.
I took lessons in elocution,
so I could speak your name
in the most divine way.
I wasn’t a lover; I was in love.
I tasted the nectar of your cologne
to better ache for your touch
when you weren’t near.
I wasn’t a lover; I was in love.
I memorized poems to whisper
into the moonlight to send off
so you could still hear me –
even when I wasn’t near.
I wasn’t a lover; I was in love.
I always did love you, even before
the words cascaded from my lips.

Isabelle Palerma