Isabelle Palerma

An Excerpt from my WIP

Hey y’all,

Long time no updates. So, while I’m still working on GP, I’m also working on a few other projects – a chapbook and an unnamed novel as well as a novel I’m tentatively calling, “The Machine that is Me: Static Dreams”.

I thought some of you might be interested in seeing an excerpt from it while I continue to work on my other projects.

I need to see you. It’s urgent. The words shimmer before dissolving into an array of scintillating pixels and vanish from my screen. As I yank my starched lab coat off and tug my scuffed-up leather jacket on, my thoughts splinter between the contents of the message and its sender, my best friend, Nahia Winters.

Meet at my place? I text back, scrunching up my eyebrows.

As the laboratory doors slide open, the chatter of my colleagues escalates, echoing against the linoleum. Most of them are headed to a downtown zone-out café. Some hipster joint with the hottest headsets, most up-to-date Dream technology, and most recently uploaded dreams.

After a fourteen-hour stint at the lab, I don’t blame them, but the word “urgent” buzzes through my veins like a stimulant. It makes the concept of rest impossible. Anyway, Nahia’s a Tier-1A Dreamer. Worst case scenario, she can lend me a headset and upload a dream for me.

“You coming, Simon?” Jonathan calls, glancing over his shoulder at me.

I wave him on, flashing him a small but genuine smile. “Got some personal stuff I’m dealing with,” I admit, “but thanks, anyway, bro.”

He nods. “Sure thing.”

I watch as he catches up to the rest of the group, grateful he doesn’t ask any follow-up questions.

A ping as Nahia reply comes through. I’m already there. Our texts glimmer: individual letters become dancing dots, then disappear before sending me back to my home screen. All evidence of our exchange disintegrates rapidly. Pinching the bridge of my nose, I shake my head in disbelief. “How does she have access to my phone?” I mutter, rolling my eyes. She’s the Dreamer, and I’m the scientist, and I can’t operate basic tech like she does.

Shit. It occurs to me. Nahia might be in trouble. I sprint out of the sterile space and hurry to the Aeroline station. Once I am at the station, I gnaw on my lower lip, contemplating how to ask Nahia if she’s in trouble without rousing suspicion of the monitors.

I loathe the monitors. They’re the ones who capture the outspoken ones.

I’m certain they’ll capture everyone who speaks out against the Regime one of these days – the way they surveil our phones and emails and now, how they check the Dreamers’ dream content for any signs of unrest or revolutionary thought.

Focus, Simon, I remind myself as I slide into the seat and flash my pass at the scanner. My heart begins to hammer in my chest as it dawns on me that Nahia’s probably already in trouble with the monitors if she’s showing up at my apartment during peak Dreamer hours. So, as we begin our ascent through the clouds, I start scheming.

Interested in reading more? Let me know! I’m always looking for more readers.

Isabelle Palerma

Dream

As you may or may not know, one novel I am currently revising is about a young woman whose dreams begin to interfere with reality, and another WIP (work-in-progress) is about a dystopian future where sleep is outlawed.

Here’s a dream I had a while ago. At the time, I thought it was more like a vision than a dream, and I had a professional dream interpreter interpret it for me. I thought some of you might be interested in reading the interpretation.

Life was a whirlwind: people deserting me, families I used to work with shaming me, friends leaving and spreading false rumors, etc. My family was angry with me because I owed them money.

Interpretation: This represents my anxiety, what I am feeling presently.

Everywhere I turned, people were mad. This part was semi-lucid because I kept thinking, “I’m in bed. I’m going to remember this and write it down. I’m going to learn from this. I’m in bed. I can feel the night breeze.”

I ran up the stairs through a class in a lecture hall.

Interpretation: The upward path I was on represents success.

At the top of the staircase, there was a figure I could not see. He apologized for putting me through trials. I told him that I nearly died. I told him that people rejected me and hurt me in many ways.

I told him that he was responsible for things being messed up.

Interpretation: This figure represents a scapegoat, a person who takes the blame for the uncertainty I have in letting others down.

The lecture hall represents the feeling of being “lectured” about morality.

Furthermore, my explanation to this figure about nearly dying and people rejecting me represents that I cannot handle the rejection he is placing on me.

This figure represents a lesson I must learn.

The figure smiled, emanating a powerful, white glow. It was so luminous that I could not see beyond him. I ran through the light and entered a cafeteria.

A girl I knew when I was younger stood in the doorway. She was a friend who later became an adversary. I told her what I told the unseen figure, “I withstood all my trials and found that I am my own hero. I did it all on my own, and I’m still standing. I discovered I can do it on my own.”

Interpretation: The cafeteria represents a place of nourishment and nurturing. I am trying to please this person who stands in the doorway, Judgment. She does not represent Good nor Bad. She is my Experiences. Because of her, I have taught myself to be cautious.

She tells me though I can do it on my own, I don’t have to, then hands me a stone.

She tells me I must polish the stone. She did not give me any further instructions on how to polish the stone, simply that I must polish it.

Interpretation: Her lesson is twofold. She is both advising me and giving me permission to reach out to others. Though she has failed me in the past, others will not necessarily follow suit.

The stone represents Truth. How does one polish a stone? By tumbling it and removing the dirt.

What remains is Truth.

She told me that I will know when my task is done. She told me, “You will know your destiny after you polish the stone.” She also told me, “You saved him from his own noose.”

I held the rock as she faded from sight. As she faded, I heard her say, “Put it under your tongue.”

Interpretation: I saved him by telling him he needed to heal himself. Holding the rock represents me holding my truth. She is telling me to keep my truth a secret.

I saw a beautiful man like no one I had ever seen before. He emanated a radiance, and I felt my heart swell.

“Not this one,” a voice said.

I kept walking and arrived at a staircase that sloped and curved beyond my line of vision.

I walked down the stairs to arrive at a landing. From the landing I could see, the stairs led to a hallway with a door.

I began to choke on the rock under my tongue. I nearly swallowed the stone (the Truth) that I held in my mouth.

Interpretation: The voice is that of Judgment. She has returned to warn me that the first man was not the right man. The sloping staircase represents an unclear path. It could lead to a great success or a terrible downfall. The hall leading to a door represents the unknown as well. The door could be an escape out or a prison within. I do not enter the doorway, so, whether it is an escape or a prison is unknown.

As the stone tumbled around my mouth, a man with dove-white skin, dimples, and an amazing jawline ran up the stairs to meet me. He watched me gag on the stone, wanting to assist me but unable to help.

I finally coughed and choked up the stone (the Truth). It had tumbled into a glimmering tiger’s eye. The man too transformed but became harder to see. He was still beautiful, just harder to see.

Interpretation: I walked down to meet him, yet he walked up to meet me, but we still met in the middle. By walking down to meet him, this represents I must lose something to meet him.

He held in his hands a noose, and around his neck, he wore a placard that said his name.

The voice said, “He is the one.”

Interpretation: He has removed the noose (a leash), and by doing so, the man is finally free. Judgment has again presented itself to say he is the one, but something has changed. He is free, and of his free accord, he ran up the stairs to meet me and underwent his own transformation.

The dream is saying I must hold my truth until it is polished and clean. When the time is right, I must choose between speaking it-freeing it from my mouth-or swallowing it.

Isabelle Palerma

Unlike You: a Poem

“Unlike you . . .” a prompt from Kay A.

In less than a month,
unlike you to care about the wreckage of the Titanic that is my heart.
I have witnessed you stampede on
and trample me barefoot.
Yet,
the teeth you bared is what
I have come to expect.

Family taught me
(for better or worse)
to murder with mercy.
When you were flashing your baby teeth,
sharpening like knives,
I was practicing my smiles
in polished glass.

Unlike you to offer condolences
or express empathy,
and yet, the past few days,
while Lazarus has been in the tomb,
a different side of you has been exposed.

Unlike you to show warmth,
still a reptilian cold underneath,
but the air is a bit milder now – less frost,
less chill.

Unlike you to offer benevolence and yet,
a crack of a smile,
a beginnings of generosity.

Is it possible you were murdered by my mercy?
Killed by my kindness?

Or did New Year’s resolutions just fall
a few days behind on this calendar?

I’m not one to gaze the gift horse
in the mouth,
but I do have my suspicions
when you were flashing those fangs,
honing them like knives,
and are now sweet as spun sugar.

Just call me Doubting Thomas
if your kindness only lasts as long as
Lazarus was in the tomb.

Isabelle Palerma

A Cage for Your Heart, the Softness of Sadness, and the Gentle Lull of Love: a Poem

An architect constructed you a mansion
for your heart and you called it a cage.
He crafted each room with so much caution
and care.

The muscle nestled between your ribs
felt like a boulder I was incapable of swallowing,
I am a myth,
tugging on strings that have strangled me.

My fantasies were polished glass shards
shattered by laments and heartbreak.
Ancestors draped mirrors
with black organza in bereavement
after a loved one died.
The fabric is as light as a ghost,
so tell me,
how did I still I wake up with
bits of glass crunching beneath my feet?

The sadness was a fragile creature –
the weight of black organza –
and yet I am a myth,
desiring nothing more than to pull
the strings that choke me.

But it’s gentle sometimes,
sneaking in like a moth,
as soft as a ballerina’s skin
and barbed wire.

Our wires danced across the dance floor,
and if you watch,
we might just choke on the memory,
the softness of sadness, and
the gentle lull of love.

Isabelle Palerma

The Ugly Word for Rebecca: a Short Fiction

Ever since I met Rebecca, I vowed to never separate ourselves. To be entwined with her. But to be inextricable to the one you love can be seen as unhealthy, Mother said. So I found times where I’d be away from her. Brief pockets of time.

And yet, even when I was away, I found myself thinking of her. I remember the first moment I first saw her. I was walking down Main Street, and I caught a glimpse of her through the window of the dress shop. I had no excuse to go into a dress shop naturally, but I remember fumbling around and telling Penelope, the dressmaker, something about my mother’s upcoming birthday. I had muttered something about wanting to surprise her with a dress, but the whole time, my eyes were on Rebecca.

She didn’t even look like she belonged there. Her gaze haunted me, and I suppose Penelope noticed the way I stared, my eyes lingering over Rebecca. She chuckled a bit, and then acknowledged my brazen desperation, my lascivious desire. “That’s Rebecca,” Penelope told me at the time, “bring her home if you’d like.” Shaking her head, she added, “The girls these days think wooden mannequins like Rebecca are outdated.”

Mannequin?

What an ugly word for my queen.

I ignored the jab and bought my mother’s dress, the pretense under which I came to see my newfound partner. Once purchased, I scurried out and hastened home.

Of course, Mother turned up her nose at Rebecca. Mother has always been a snob. I supposed Rebecca wasn’t haute couture enough for her, in her simple tea-length dress, but I found her stunning.

Mother and I still lived together, but she often stifled me, tutting at my choice in books or television. Sometimes, turning up her nose in the food I brought home from the grocer.

But now, Rebecca.

I put my foot down. I told her I loved her and I loved Rebecca. That she had to respect our love.

She scoffed but did not reply.

Finally, I heard her mutter something about wooden mannequins under her breath.

There was that ugly word again. Mannequin. Rebecca and I retired to bed early that evening.

I touched her tenderly as we lay in bed. On her back, she stiffened as I murmured, “I noticed you didn’t touch your dinner.”

Reproached by her silence, I kissed her cheek and said good night.

The next morning, I helped Rebecca out of bed. It was cold outside, so neither of us felt like getting up, but we knew we needed to. I brought her tea, but she didn’t drink it. I offered her coffee, but she wouldn’t speak.

Finally, as the three of us sat at the table, Mother suggested I get groceries before the snow started coming down worse.

I looked toward Rebecca, hoping she would join me – or at the very least, acknowledge me going into the snow storm. She punished me with silence. I hugged her tightly before I left.

I whispered to her, “I love you.”

The ensuing silence stung and as I reached the door, I wiped the tears from my eyes as she stared at me blankly. It was as though she had no emotions toward me whatsoever, but I knew that couldn’t be the case.

We’d shared such a connection.

“I’ll be home soon,” I assured her.

Mother rolled her eyes.

***

As I unpacked the brown paper bags from the back of our station wagon, I smelled the smoke. Mother must have found some firewood around back and made a fire.

A part of me was relieved. The warmth would be nice.

I placed the bags on the Formica counters in the kitchen and began to organize the groceries, inhaling the deep woodsy smell as I did. Jars of pickles and blocks of cheese. Deli meat. Loaves of bread. Eggs. Cartons of milk. Everything I could think of.

I didn’t remember anyone dropping off firewood yet this year, it occurred to me, as I was putting the deli meats in the refrigerator. Then, I grabbed a jar of pickles, ready to pack them away until we needed them when I thought to check on my mother and Rebecca. That’s when the thought occurred to me.

The ugly thought.

The one I kept telling myself not to think.

How Penelope told me and my mother told me and how everyone laughed at me because Rebecca was a wooden mannequin.

And in that moment, I remembered without a shadow of a doubt we didn’t have firewood.

But we had an ax and my girlfriend whom my mother despised.

The only thing left when I got to the fireplace was my mother prodding Rebecca’s head deeper into the fire. My beloved’s eyes twinkled from the flames as my mother giggled with glee.

“Turns out,” my mother said, laughing, “your girlfriend is good for something.”