Bringing the Children to the Water: a Short Fiction

Children are the most difficult passengers. Often, they fidget or they ask a thousand questions — most of which I cannot answer. A disturbing number can’t keep their eyes open, falling into a deep sleep of which I feel uncomfortable waking them from.

We’ll be in the boat, or gondola, or ferry, whatever you wish to call it, and I’ll be guiding it to shore. Then, typically, they will ask the usual child-like questions, “Where are we going?”, “Are we there yet?”, “Am I going to see my mommy and my daddy when we get there?”

I don’t know how to elegantly express I’m simply a means of transportation.

Most adults are quiet, peering over the edge, into the water. A few ask a couple questions.

But children are so different.

This one, I want to protect. From what, I don’t know exactly, but as I drag my oar through the river, he hums to himself quietly. He is small — so small — and yet his eyes are large and round. Curious. Yet he does not ask questions.

He tries to pull himself higher and each time, tumbles backward. If I could peel myself away from my responsibilities, I’d help. But I also hate how strongly I feel for this child.

I try not to get emotionally attached to passengers.

They’re not simply passengers. They’re so much more.

But I try to label them as such.

We all have our rules to keep everything in tact. Most of all, our sanity.

But this boy, humming, in my little dinghy, snuggling in the curve of the bow of my small little boat. My gondola. My ferry barely accommodating us. This boy? He holds my heart.

And I hate that he does.

He’s young. Maybe eight. And children are notoriously the most difficult passengers. Yet when he first gets on my ferry, he tries to introduce himself to me and I interrupt him, as nicely as I can, asking him not give me his name.

It makes it hard to stay professional.

At the end of our ride together, as I’m about to hoist him to shore, he says, “It was nice riding down the river with you. Can I tell you my name now?”

I offer him a sad smile, lifting him to the land. “I’d prefer you didn’t.”

He nods. “It’s just a job, huh, mister?”

“Ain’t that.”

He shoots me a quizzical glance. I don’t want to explain. Don’t get attached.

“Oh,” he exclaims. His big, blue eyes meet mine, appearing even wider. “Is your name Karen?”

I bite my tongue.

“That’s weird, no offense,” he continues, “that’s a girl’s name. Anyway… I found a gold coin. Don’t be grossed out, but I found it in my mouth. I want you to have it.”

He hands it to me. It’s not real gold — just foil. The foil isn’t soggy or peeling — just soft. So, I pocket it, and as I place it in my pocket, I watch him walk closer to the shore.

“Hey, kid,” I call.

He turns.

“My name isn’t Karen,” I tell him.

He stares at me, open-mouthed, as I peel apart the gold coin and pop the chocolate into my mouth. “It’s Charon, and we just crossed the River Styx. This candy was your entrance admittance into the afterlife.”

He continues staring, but as I bring my oar down into the river’s water to turn to get my next passenger, I hear the quiet plink, plink, plink of the boy tossing more chocolate gold coins into the water.

And all I know is I have never wanted to save a soul as badly as I’ve wanted to save his.

Isabelle Palerma

A prompt from Jerald Wegehenkel: “chocolate coins for the ferryman”.

The Dinner: a Short Fiction

Write a scene set around a table. Communicate each character’s emotions only through how they interact with food.” ( July 4, 2026, Molly Aitken.)


Ethan Porter spears his ribeye and carves into it, barely ripping his gaze from it as his daughter Frances speaks in hushed tones. Frances had returned home from college the night before. He crams a bite of the thick chunk of meat into his mouth, chewing noisily.

Frances swishes a bit of the dry Merlot in her mouth before dragging her fork around on the plate, moving around a few pieces of wilted spinach. She glances up. “Mother,” she says, her voice nearly a whisper. “I have something to tell you.”

Ethan gulps down his gigantic bite and belches. “Whatever you have to say, you can tell both of us.”

Frances’ eyes dart over to her father. Gingerly, she scrapes a tiny bite of potato and chews it. She nods, swallowing the morsel. “Of course.”

Her father continues to shovel more food into his mouth, chuckling to himself. As he loads his fork with meat, he urges Frances with a grunt, “Go on.”

Frances glances at her mother. The girl, lost in thought, drops a small spinach leaf onto her tongue and closes her eyes briefly.

Jessica, Frances’ mother, cuts her ribeye into cubes and when she is certain neither her daughter nor Ethan are paying attention, slips the steak pieces underneath the table to their hungry beagle, Juniper. As soon as she sees Ethan’s beady eyes flash in her direction, she snaps to attention and devours her ribeye with a forced smile.

Then, her wan grin intact, she turns to her daughter. “What is it, doll? You said you had something to tell us.”

Frances sighs and drops another bite of potatoes into her mouth. She chews them silently. She doesn’t speak.

Finally, Jessica breaks the quiet. “It’s not your…” She hesitates. Things like this are hard to bring up. Sensitive. “You’re not…” She pauses again. “Are you… are you in any kind of trouble?” Jessica finally asks, chewing her ribeye so carefully it looks as though she is chewing gum.

Frances’ mouth drops open. A bit of spinach clings to the gap between her front teeth. Had her fourteen-year-old brother Lucas been home, he would have either laughed at her or pointed it out.

Instead, the silence is spectacularly loud.

Finally, she dabs her mouth with a napkin and shakes her head. “No, Mother,” Frances responds firmly, “I’m not in trouble.”

“Then what is it?” Ethan booms, grabbing his bourbon glass and chugging it down as though it were cheap cola — not an expensive liquor.

“Is there any dessert?” Frances asks, glancing away.

“What the hell is going on?” Ethan demands, rising from his seat.

“Daddy, please.” Frances gazes up at him, a bit of ribeye still dangling from her dinner fork.

Jessica, who has been feeding Juniper scraps, glances over at her husband. His face is red and puffy with anger, and his hand is still clenched around the glass. He stabs the ribeye with his fork and bites into it, ripping into it with his teeth and glaring at his family.

“It’s nothing really,” Frances insists, “but I have switched majors.”

Ethan’s eyes bulge out, and his already ruddy face goes more scarlet. His cough is harsh and brash — more of a bark than a cough. When he finally stops coughing, Frances tells them, “I’m no longer studying political science. I’m majoring in Art History.”

Ethan’s head slumps down, the bite of ribeye dislodges and his eyes roll back in his head, watery, unfocused. He rasps out a few mumbled words, then tries again. On his second attempt, they’re more clear but still muddled.

“It doesn’t matter,” he chokes out, slouching forward, “you’ll always be a failure to me.” With one final gasping breath, he falls face-first into what’s left of his mangled steak and mashed potatoes.

Quietly, Jessica stands up and gets a cloth napkin to wipe the meal from her dead husband’s face.

The rest of the dinner is silent.

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.

The Ugly Word for Rebecca: a Short Fiction

Ever since I met Rebecca, I vowed to never separate ourselves. To be entwined with her. But to be inextricable to the one you love can be seen as unhealthy, Mother said. So I found times where I’d be away from her. Brief pockets of time.

And yet, even when I was away, I found myself thinking of her. I remember the first moment I first saw her. I was walking down Main Street, and I caught a glimpse of her through the window of the dress shop. I had no excuse to go into a dress shop naturally, but I remember fumbling around and telling Penelope, the dressmaker, something about my mother’s upcoming birthday. I had muttered something about wanting to surprise her with a dress, but the whole time, my eyes were on Rebecca.

She didn’t even look like she belonged there. Her gaze haunted me, and I suppose Penelope noticed the way I stared, my eyes lingering over Rebecca. She chuckled a bit, and then acknowledged my brazen desperation, my lascivious desire. “That’s Rebecca,” Penelope told me at the time, “bring her home if you’d like.” Shaking her head, she added, “The girls these days think wooden mannequins like Rebecca are outdated.”

Mannequin?

What an ugly word for my queen.

I ignored the jab and bought my mother’s dress, the pretense under which I came to see my newfound partner. Once purchased, I scurried out and hastened home.

Of course, Mother turned up her nose at Rebecca. Mother has always been a snob. I supposed Rebecca wasn’t haute couture enough for her, in her simple tea-length dress, but I found her stunning.

Mother and I still lived together, but she often stifled me, tutting at my choice in books or television. Sometimes, turning up her nose in the food I brought home from the grocer.

But now, Rebecca.

I put my foot down. I told her I loved her and I loved Rebecca. That she had to respect our love.

She scoffed but did not reply.

Finally, I heard her mutter something about wooden mannequins under her breath.

There was that ugly word again. Mannequin. Rebecca and I retired to bed early that evening.

I touched her tenderly as we lay in bed. On her back, she stiffened as I murmured, “I noticed you didn’t touch your dinner.”

Reproached by her silence, I kissed her cheek and said good night.

The next morning, I helped Rebecca out of bed. It was cold outside, so neither of us felt like getting up, but we knew we needed to. I brought her tea, but she didn’t drink it. I offered her coffee, but she wouldn’t speak.

Finally, as the three of us sat at the table, Mother suggested I get groceries before the snow started coming down worse.

I looked toward Rebecca, hoping she would join me – or at the very least, acknowledge me going into the snow storm. She punished me with silence. I hugged her tightly before I left.

I whispered to her, “I love you.”

The ensuing silence stung and as I reached the door, I wiped the tears from my eyes as she stared at me blankly. It was as though she had no emotions toward me whatsoever, but I knew that couldn’t be the case.

We’d shared such a connection.

“I’ll be home soon,” I assured her.

Mother rolled her eyes.

***

As I unpacked the brown paper bags from the back of our station wagon, I smelled the smoke. Mother must have found some firewood around back and made a fire.

A part of me was relieved. The warmth would be nice.

I placed the bags on the Formica counters in the kitchen and began to organize the groceries, inhaling the deep woodsy smell as I did. Jars of pickles and blocks of cheese. Deli meat. Loaves of bread. Eggs. Cartons of milk. Everything I could think of.

I didn’t remember anyone dropping off firewood yet this year, it occurred to me, as I was putting the deli meats in the refrigerator. Then, I grabbed a jar of pickles, ready to pack them away until we needed them when I thought to check on my mother and Rebecca. That’s when the thought occurred to me.

The ugly thought.

The one I kept telling myself not to think.

How Penelope told me and my mother told me and how everyone laughed at me because Rebecca was a wooden mannequin.

And in that moment, I remembered without a shadow of a doubt we didn’t have firewood.

But we had an ax and my girlfriend whom my mother despised.

The only thing left when I got to the fireplace was my mother prodding Rebecca’s head deeper into the fire. My beloved’s eyes twinkled from the flames as Mother giggled with glee.

“Turns out,” Mother said, laughing, “your girlfriend is good for something.”

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.

Lost: a Short Fiction

Take a line from one of your favorite songs and make it your first sentence. (July 28, 2025, First Line Prompt.)


“i think i saw you in my sleep, darling. i think i saw you in my dreams.(“such small hands”, la dispute.)

I think I saw you in my sleep, darling. I think I saw you in my dreams. I’ve been having the same series of dreams for months now, and it’s always the same girl in them, holding the same rabbit, whispering words in a language I don’t understand.

It’s haunting me how I see so much that I don’t comprehend, but it’s you. I think it’s you I saw in my sleep. You hold a rabbit in your arms and stare at me, your eyes dead and cold, always whispering words I cannot fathom.

But I want to.

I want to understand. Because it’s been months of these dreams, your crooked smile, my broken heart. I feel like I’m failing you somehow because you keep reappearing like a resurrection, and yet, every time, I don’t understand. I can’t understand.

You must know how stupid it makes me feel to see you each time and gaze into your hollow, empty eyes and not be able to make out a single syllable.

Every night, I see you in my dreams until one night, you’re there, and you whisper a word I recognize, “Lost,” you utter.

And before I can even begin to formulate my reply, I feel my stomach sink and I hurtle backwards into my bed and awaken.

The next night, when I dream you, your eyes glisten and don’t look so empty, and instead of speaking a foreign language, you simply say the same word again and again until it seems meaningless practically, “Lost. Lost. Lost. Lost. Lost.” Like a litany. Like a prayer.

I want to help you. Your rabbit has run away, and I ask you if your rabbit is lost. You shake your head violently.

Lost,” you whisper again.

Darling, I want to know what is lost, but I’m starting to think it might be you.

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.

Spirits Follow Me Here, Too: a Short Fiction (Part III)

May is National Short Story Month, and in honor of National Short Story Month, I decided to write a short story combining my interest in tarot and witchcraft with fiction. I hope you enjoy the result. Please be sure to check out Part I here and Part II here.


That night, I followed Vee home like a street urchin or an orphan, and I suppose, in a way, I was. My own mother already gave me up once, washed her hands of me like Macbeth. The blood still stained her hands as well, though not nearly as violent as his, I suppose. My nonna had died – the ultimate abandonment, and my dad, well, who knows what happened to him.

Everything inside me that had felt crushed and stifled was suddenly expansive as the sky and unlimited. I felt like all the furniture of my heart that had been cramped into a dollhouse of an existence was suddenly opened up, and I didn’t know what to do with all of those emotions.

Vee looked at me, unadorned and plain, flat-chested, and dark-haired, and told me something no one had ever said before. She told me I was beautiful, and when her lips brushed against mine, everything inside of me unfurled.

Where I simply existed before, now, I had come alive. Her touch electrified me. This is what drugs felt like, I was sure of it. The slow honey drip of lust before the drop in the pit of my stomach, flipping me upside down like every cliché. My skin prickled with tiny goosebumps, and when she asked if I was cold, I looked at her in surprise.

Temperature was such a meaningless concept. I just felt alive and aloft with something as transformative as love. It was beautiful as every lyric that had ever been penned, and when her lips touched mine, I wanted to write her sonnets and villanelles and odes.

I wanted to kiss her everywhere all of the time.

And we started to.

We started to explore each other. Cartographers mapping curvatures and ridges. Learning hills and rises as well as the valleys and smooth spots. Her hands found my tunnel and explored that, caressing me sweetly as her lips made their home against my skin.

Again and again.

The spirits followed me here, too. I thought they giggled because I found “The One”.

I did not hear the cruelty in their laughter because I was busy falling madly in love with Vee.

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.