short story prompt

Lost: a Short Fiction

Take a line from one of your favorite songs and make it your first sentence. (July 28, 2025, First Line Prompt.)

“i think i saw you in my sleep, darling. i think i saw you in my dreams.” (“such small hands”, la dispute.)

I think I saw you in my sleep, darling. I think I saw you in my dreams. I’ve been having the same series of dreams for months now, and it’s always the same girl in them, holding the same rabbit, whispering words in a language I don’t understand.

It’s haunting me how I see so much that I don’t comprehend, but it’s you. I think it’s you I saw in my sleep. You hold a rabbit in your arms and stare at me, your eyes dead and cold, always whispering words I cannot fathom.

But I want to.

I want to understand. Because it’s been months of these dreams, your crooked smile, my broken heart. I feel like I’m failing you somehow because you keep reappearing like a resurrection, and yet, every time, I don’t understand. I can’t understand.

You must know how stupid it makes me feel to see you each time and gaze into your hollow, empty eyes and not be able to make out a single syllable.

Every night, I see you in my dreams until one night, you’re there, and you whisper a word I recognize, “Lost,” you utter.

And before I can even begin to formulate my reply, I feel my stomach sink and I hurtle backwards into my bed and awaken.

The next night, when I dream you, your eyes glisten and don’t look so empty, and instead of speaking a foreign language, you simply say the same word again and again until it seems meaningless practically, “Lost. Lost. Lost. Lost. Lost.” Like a litany. Like a prayer.

I want to help you. Your rabbit has run away, and I ask you if your rabbit is lost. You shake your head violently.

“Lost,” you whisper again.

Darling, I want to know what is lost, but I’m starting to think it might be you.

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.

The Golden Compass: a Short Fiction

For National Short Story Month, I’m experimenting with writing more short stories.

Now, I’ve recently discovered that the United States’ current administration is slashing funding for the National Endowment for the Arts and continuing to ban more books by BIPOC authors as well as LGBTQIA+ authors.

As a result, I thought it’d be important to write short stories, based on titles alone, prompted by books that have been banned. I’m choosing to write based on fiction I haven’t read so as not to encourage the story I write.

This one is called “The Golden Compass” by Philip Pullman.

The Golden Compass

‘Whenever you are lost,” Papa whispered to me, his voice near vanishing in the noise that has surrounded us, “you can find me using this.”

“Using what?” I asked in reply, but before he could answer, I felt the heaviness in my pocket as he had slipped something into it.

I almost spoke, but he hushed me. I almost took out what he had suggested to find him with, reaching into my pocket, but he stopped me. “Not yet,” he said, his tone stern.

And with that, it was as though the northern winds had uprooted him and pulled him from my very side. The chatter, too, that had surrounded us faded to a faint murmur.

I pulled the gift – if you could call it that – from my pocket. A golden compass.

Papa appeared. “Lana, I haven’t even been gone three days yet, and you’re already summoning me?” he scolded me.

How had three days already passed?

As though reading my mind, Papa explained, “Time moves differently when we lose someone. When they die, grief alters the way time flows. Sometimes, days blur together into weeks. Other times, hours crawl agonizingly slow. It can all rush together because there’s no one around to remind you.”

It was weird, but that hit deeper than I expected. Grief had punched a hole in my chest, and I didn’t even know that I had lost him completely. I figured he was just another state away, maybe on another trip.

But dead? Gone? I didn’t know how to process this. And all the noise was back too.

“Were you feeling lost, Lana?” Papa asked, his voice feeble yet familiar. It was as though he were speaking directly into my ear.

“I am now,” I admitted, tears streaming down my face. “I didn’t know you died.”

“Oh, my sweet, death only kills my body. My spirit is in this compass, and that’s the good part. Don’t lose this compass, and you’ll always have me.”

I nodded but still felt disoriented, even though the compass pointed in the direction of home.

Isabelle Palerma

According to several sources, including Reactor magazine, The Golden Compass was banned in several places because of its promotion of atheism and attacks against Christianity.

This short story is entirely my own content – no A.I. used to create this.

Love like Crimson, Eyes like Gray: a Short Fiction

May is National Short Story Month, so, coupled with a prompt from The Time is Now, please enjoy the following short story.

Guest editor of The Best American Short Stories 2019, Anthony Doerr, discussed a list of dos and don’ts authors frequently hear mentioned when writing short stories. He described how much he loves when authors break those rules.

In the spirit of those rules, write a story that breaks some of the commonly suggested “rules” or suggestions authors get when writing a short story. (April 30, 2025, The Time is Now.)

Tell me I’m handsome. Tell me you love me. Tell me all the rules you’ll break just to be with me. Tell me you’ll leave your boyfriend just because you can’t live without me.

I know it sounds vain, but your lust is my elixir. I drink it up like the nectar of the gods. I gobble it down like it is the goddess’s ambrosia. Lying in your bed, watching the lazy rain droplets trickle down the windows, I know I’m where I’m meant to be. I don’t want to wake up. I want to stay here with you in this moment.

You say something stupid like, “But he’ll be home this afternoon. He comes back from his business trip today.” You tell me that every Sunday morning, and every 9 a.m., you break my heart by not wanting to spend your life with me.

I tell you how perfect we’d be together. I remind you of the way our bodies fit together like an open and closed parentheses, but sometimes, you close yourself off from me

like I’m a venom

and you haven’t found an antidote yet

like I’m a disease

and no one has bothered to search for a cure.

You stop me from telling you I love you. You stop me from telling you how perfect your curves are and yet, you’re the dream I don’t want to wake up from.

My eyes are gray from crying too much; I swear the color drained out of them, but you say I’m maudlin, you tell me it isn’t poetry I write you, it’s just sad.

You tell me I could find a girl at a coffeehouse or a bookshop. You tell me I could go to a record store. You tell me those hipster girls would love my photography and my poetry.

You tell me I need to leave you alone. You tell me that I need to stop dropping by, unannounced, that your boyfriend noticed my VW Bug down the street a few nights in a row. He mentioned it to you. He said something about the trampled sunflowers on the front porch.

The ones I thought were poetic and sad.

When I put a dead rat in your mailbox, you called the police.

When I started writing poems in blood, you put a restraining order on me.

But love has always been crimson, and my eyes have always been grey, even before all the crying.

Forgive me, my love. I must have crossed a line, but I just wanted to linger in your bed on a Sunday. I just wanted to hear you say that you loved me.