The Ugly Word for Rebecca: a Short Fiction

Ever since I met Rebecca, I vowed to never separate ourselves. To be entwined with her. But to be inextricable to the one you love can be seen as unhealthy, Mother said. So I found times where I’d be away from her. Brief pockets of time.

And yet, even when I was away, I found myself thinking of her. I remember the first moment I first saw her. I was walking down Main Street, and I caught a glimpse of her through the window of the dress shop. I had no excuse to go into a dress shop naturally, but I remember fumbling around and telling Penelope, the dressmaker, something about my mother’s upcoming birthday. I had muttered something about wanting to surprise her with a dress, but the whole time, my eyes were on Rebecca.

She didn’t even look like she belonged there. Her gaze haunted me, and I suppose Penelope noticed the way I stared, my eyes lingering over Rebecca. She chuckled a bit, and then acknowledged my brazen desperation, my lascivious desire. “That’s Rebecca,” Penelope told me at the time, “bring her home if you’d like.” Shaking her head, she added, “The girls these days think wooden mannequins like Rebecca are outdated.”

Mannequin?

What an ugly word for my queen.

I ignored the jab and bought my mother’s dress, the pretense under which I came to see my newfound partner. Once purchased, I scurried out and hastened home.

Of course, Mother turned up her nose at Rebecca. Mother has always been a snob. I supposed Rebecca wasn’t haute couture enough for her, in her simple tea-length dress, but I found her stunning.

Mother and I still lived together, but she often stifled me, tutting at my choice in books or television. Sometimes, turning up her nose in the food I brought home from the grocer.

But now, Rebecca.

I put my foot down. I told her I loved her and I loved Rebecca. That she had to respect our love.

She scoffed but did not reply.

Finally, I heard her mutter something about wooden mannequins under her breath.

There was that ugly word again. Mannequin. Rebecca and I retired to bed early that evening.

I touched her tenderly as we lay in bed. On her back, she stiffened as I murmured, “I noticed you didn’t touch your dinner.”

Reproached by her silence, I kissed her cheek and said good night.

The next morning, I helped Rebecca out of bed. It was cold outside, so neither of us felt like getting up, but we knew we needed to. I brought her tea, but she didn’t drink it. I offered her coffee, but she wouldn’t speak.

Finally, as the three of us sat at the table, Mother suggested I get groceries before the snow started coming down worse.

I looked toward Rebecca, hoping she would join me – or at the very least, acknowledge me going into the snow storm. She punished me with silence. I hugged her tightly before I left.

I whispered to her, “I love you.”

The ensuing silence stung and as I reached the door, I wiped the tears from my eyes as she stared at me blankly. It was as though she had no emotions toward me whatsoever, but I knew that couldn’t be the case.

We’d shared such a connection.

“I’ll be home soon,” I assured her.

Mother rolled her eyes.

***

As I unpacked the brown paper bags from the back of our station wagon, I smelled the smoke. Mother must have found some firewood around back and made a fire.

A part of me was relieved. The warmth would be nice.

I placed the bags on the Formica counters in the kitchen and began to organize the groceries, inhaling the deep woodsy smell as I did. Jars of pickles and blocks of cheese. Deli meat. Loaves of bread. Eggs. Cartons of milk. Everything I could think of.

I didn’t remember anyone dropping off firewood yet this year, it occurred to me, as I was putting the deli meats in the refrigerator. Then, I grabbed a jar of pickles, ready to pack them away until we needed them when I thought to check on my mother and Rebecca. That’s when the thought occurred to me.

The ugly thought.

The one I kept telling myself not to think.

How Penelope told me and my mother told me and how everyone laughed at me because Rebecca was a wooden mannequin.

And in that moment, I remembered without a shadow of a doubt we didn’t have firewood.

But we had an ax and my girlfriend whom my mother despised.

The only thing left when I got to the fireplace was my mother prodding Rebecca’s head deeper into the fire. My beloved’s eyes twinkled from the flames as my mother giggled with glee.

“Turns out,” my mother said, laughing, “your girlfriend is good for something.”

Isabelle Palerma

Spirits Follow Me Here, Too: a Short Fiction (Part II)

May is National Short Story Month, and in honor of National Short Story Month, I decided to write a short story combining my interest in tarot and witchcraft with fiction. I hope you enjoy the result. Here is Part I.


Immediately upon seeing her, I knew she was everything I was not. She let light in places where I had locked myself in the dark. It was a bar, and though Dennis knew I was only seventeen, he also was more than happy to look the other way if patrons chose to buy me drinks.

When she sat down at my table, I had already been watching her. She had been raucous – loud and unmistakable. I saw her at the bar, munching on some of the peanuts Clifton, one of the bartenders had put out before the bar opened. She drank beer from a green glass bottle and spoke in a hearty voice as though she knew everyone, and they certainly knew her.

By the time the band hit the stage, she was already swiveling her hips as though she had grown up at The Crow’s Nest, and for all I knew, she had. Then, exhausting herself, she plopped down at my table. At first, I don’t think she even noticed me. I didn’t have a client and I was doing a spread for myself. A simple Celtic cross.

She had been gulping down a dark liquid from a glass when her bright, curious eyes caught mine. And, as cliché as it sounds, something altered. What was hard in her softened. What was loud became gentle. What could not stop fidgeting – froze.

She slid me a green glass bottle like the one she had been drinking from. It collided with the cards I’d drawn out on the table.

“Oh, Jesus,” she exclaimed as the beer foamed, threatening to spill over onto my cards. She scooped up the bottle just before its foamy head splashed onto the deck, but this girl, this tornado, looked bewildered nonetheless.

She chugged a big gulp of it down. “I don’t even know if you drink,” she admitted, “I just saw you sitting here alone and wanted to buy you a drink.”

I cleared my throat and gestured toward the tarot cards.

“Oh,” she replied, sucking in on her lower lip and furrowing her eyebrows. “Solitaire?”

“I do tarot readings,” I corrected, staring into her intense brown eyes. They were riveting. Such a deep shade of brown, they could almost black. I could hardly distinguish her pupils from her irises.

For the second time, she said, “Oh,” but this time, she sounded startled, “I’m sorry. I know last month, Dennis hired a palmist and some fire eaters. He had to downsize and let the fire eaters go. They got to be too much of a liability. Are you trying to work? Should I go?”

I laughed. “You can stay.” I piled the cards I had drawn and shuffled them back into the fold. I inhaled deeply before closing my eyes for the briefest of seconds. “Would you like me to do a reading for you?”

“Yeah, and how much is that going to cost me? Just a down payment on a new house and my life?” She smirked.

I arched an eyebrow.

“Sorry,” she muttered, “my grandma poisoned me against psychics. Said y’all are a bunch of swindlers and con artists.”

Rolling my eyes, I replied, “You can pay whatever you like or nothing at all. My nonna taught me how to be a witch, and it’s just being in tune with your own gifts. So, maybe next time, don’t swallow the poison,” I suggested.

She nodded, flinching slightly at the barb of my words. “Can we start again? I’m Vee.”

I smiled. “Nice to meet you, Vee. I’m Nikita.”

And the spirits giggled for they knew, this was the beginning of something much bigger than me.

Isabelle Palerma


This short story is entirely my own content – no A.I. used to create this.

A Seraphic Metamorphosis: a Short Fiction (Part II)

You take a deep breath, not sure whether to believe this man named Micah, but what choice do you have? You cannot stay locked in his bathroom with a pair of nail clippers forever.

As you trudge out of the bathroom, he offers you a weak smile – not the generous grin from before. “You’re not a mutant,” he says, as if that’s going to make you feel any better.

“Gee, thanks,” you mutter.

He shrugs. “I’m trying here.”

That’s when it hits you with all of the strength of a bullet train. Yes, you might have slept with Micah last night, but you’re in a relationship.

Your girlfriend won’t be mad. She probably is sleeping with someone else too, but she will be jealous you slept on silk sheets and the guy you slept with has a bidet, which probably cost more than your rent and monthly utility bill.

Anyway. You should probably hurry back to Shiloh, but right now, you have more questions than answers, and he’s out of bed and making eggs that smell to die for.

Finally, you say, “What do you mean you know all about the feathers on my finger?”

He turns to you, flipping the omelet. “I mean,” he says in a pedantic tone, “I know what they are. Why they showed up.”

You want to find out more. Your mouth is watering. You’re hungry. You’re not sure if you’re hungry for details or for the cheddar-and-ham omelet he is preparing like a three-star Michelin star chef. But before he can elaborate, your phone begins to blare your familiar melody, “A Seraphic Metamorphosis”, by your favorite band, Compensated Endeavor. He grins and grabs you by the waist, grinding against you.

Photo via Luis Zheji

You smile, the tiny wings on your pinkie fluttering. Sheepishly, you jam your hand against the skin of your hip, wishing you were dressed. “It’s my ring tone,” you mumble, “I better answer that.”

Shiloh’s voice floods your ear, breathless and frightened and small, “Hey,” she says, “it’s your mom. Something with her heart.”

You listen to her breathing and can hear your own heart whooshing in your ear. This is not good. You look down at your hand – the flittering feathers have vanished.

Like they were never there at all.

… to be continued.

Isabelle Palerma


This short story is entirely my own content – no A.I. used to create this.

A Seraphic Metamorphosis: a Short Fiction (Part I)

You wake up in a strange city, in a bed that doesn’t belong to you, and you feel a strange tickling in your pinkie. You glance down – a small pair of turquoise and brown feathers are fluttering on your nail bed. “What the…” you begin to murmur, but before you can complete the sentiment, a stranger slides back into the bed beside you.

“Oh,” he says with a big smile, “you’re awake.”

You writhe around, trying to find a way to keep the stranger from discovering what you just found out for yourself – that over night, you’ve developed a tiny pair of wings.

You try to smile back, but the stranger recognizes how uncomfortable you are. “Would you like to freshen up?” he offers.

How magnanimous, you think. Maybe he has some nail clippers in the bathroom and I can just snip the wings off. You nod and hide your hands behind your back as he gestures toward the bathroom. You nod and scurry to the bathroom, slamming the door behind you. “Sorry,” you call over your shoulder.

“No worries,” he replies. At least he seems like an easygoing enough guy. You find a hairbrush and untangle your snarled hair. You make do without a toothbrush. Then, the most important reason – you start hunting for a pair of nail clippers.

You find them and easily snip the wings off, but even in the yellow light of the bathroom, they are oddly beautiful – the turquoise is the color of the ocean and the brown is even lovely, the shade of a wren’s feathers.

Even weirder is the pain that sears through you when you cut them off. Like a scorching, sizzling sort of pain. You bite back a gasp.

Then, the unthinkable happens.

The two tiny feathers that had been beating against each other grow back.

Image via Kat Smith

“You okay in there?” the stranger calls.

You are speechless but finally swallow your fears and call back, “Yep. I’m fine.”

You think about it. This is a stranger. You probably slept together. You don’t really remember much. The night is a little hazy. You are naked. You did wake up in his bed. He was naked when he came back to bed.

“Did we have sex?” you ask because why the hell not? That’s safer than asking him if he knows anything about pinkie feathers.

“I was that memorable, huh?” he replies, his voice teasing. “We sure did. Next thing you know, you’ll tell me you don’t remember my name.”

Shit. It’s like someone wiped your memory clean.

What is his name?

“You’re going to hate me,” you respond, your voice decidedly not teasing.

“I’m Micah,” he tells you, “and you can come out of the bathroom now. I know all about the feathers on your finger.”

…to be continued.

Isabelle Palerma


This short story is entirely my own content – no A.I. used to create this.

An Avocation for Breathing

A story with a protagonist whose perspective requires an associative, free-flowing use of language.

inspired by Friederike Mayröcker

Her 1988 story “my heart my room my name,” was written entirely without punctuation, which inspires the breathlessness of these pieces by not utilizing punctuation.

vignette i: breath

When I took a course on modern poetry at a university where classes were taught in crumbling brick buildings with decaying ivy and windows held together by glass glue the professor told me that a comma is an inadvertent signal to the reader to pause to take a breath and that by writing long sentences we are forcing our readers to draw in their breaths sharper deeper like they are swimming or more accurately drowning but this isn’t a poem modern or otherwise this is me introducing you to who I am so I’m sure you’re asking who am I why is my story something special but it’s not it’s not I don’t know how to convince you otherwise but that summer I turned nineteen my breathing was sharper deeper and I thought I was drowning but instead I was swimming yet no-one told me that I was in a hotel pool not an ocean like I had come to believe and every time I tried to swallow everything shimmered at the edges like a dream sequence or a hallucination but I was not dying I was not dying and you told me I was beautiful I was beautiful but I thought those were just words you said to a corpse because I was so sure I had said the same thing to a body in a glass case in a museum near Pompeii because I was so sure I had said the same thing to my grandfather’s body in a cherrywood box in a funeral home down the street from his empty house but no one told me no one told me what you’re supposed to say when someone dies but I was just a child the professor told me that a comma is an inadvertent signal to the reader to pause to take a breath but we’re not breathing are we?

are we?

vignette ii: love song

He asked me if I only write sad poems like elegies or church bells with missing clappers but I know I’ve written happy things whether they’re memories or fiction I’m not sure but this isn’t just a collection of all the times my heart was an explosive and detonated too soon and I hope you’re remembering to breathe because all of this is building up to a climax that’s not all that exciting yet I want to be the vial of peppermint oil that invigorates you when you thought you were dead yet I want to make you laugh so hard you feel like you can’t breathe but I can’t believe I’m jealous of a ghost and yet my memory isn’t what it used to be but I keep reading articles about our shrinking hippocampus and our galaxy expanding faster than it should and books about false memories like that will stop the onslaught the ravaging of my mind by that plaque that destroys but I guess you don’t realize how scared I am of forgetting what if I call you by the wrong name or what if I offer you a honeysuckle flower and you tell me it’s calla lilies and daisies you’ve always loved and I guess what I’m trying to say is that this is a love story even though it doesn’t sound like one because all I’ve wanted all I’ve ever wanted is to be your home and to be the vials of peppermint oil that invigorate you and yet I’ll write you poems until my ink well dries but he asked if I only write sad poems but isn’t love just a sad villanelle or a brokenhearted sonnet?

isn’t it?

vignette iii: exhale

are you still breathing?

are you?

vignette iv: lungs

Anyone who knows me knows my poetry is a catharsis and hears the truth veiled underneath the metaphors and listens past the rustling of tree leaves and knows there’s more beneath the surface and knows I’m more than my past because if you just look at the faded Polaroids and old cassettes you will see one version of me but there are so many layers so many layers like when you’re painting and you wet the canvas and layer one coat of acrylic over the top of another and some kind of masterpiece emerges and this is what it’s like to live some days I’ve heard neurodivergent voices refer to it as “masking” and while that feels applicable I wonder where does the mask stop once it adheres to the flesh because I feel like I’m crafted of papier-mâchépapier-mâchépapier-mâché and glue and I’m afraid to peel back the mask because what if what’s underneath is ugly it is ugly isn’t it and I’m afraid because people are often repulsed by what they don’t recognize and if I don’t recognize myself in the mirror does that mean I’m a monster and are monsters even capable of breathing when he stitched a man of mangled flesh and confiscated organs did he know he was building a monster and were those recycled vintage lungs of his creature capable of breathing because I forget to inhale and exhale some days because I forget to breathe some days because I forget to be human some days and am I a monster because I always told myself I was a Russian nesting doll but I forget to breathe some days and is this my punishment for being a bad daughter and am I a bad daughter because my mother often told me that I was a thorn in her side and thorns don’t have lungs

does this mean I’m a monster?

does this mean I’m not breathing?


A drabble is a short work of fiction of precisely one hundred words in length. The purpose of the drabble is brevity, testing the author’s ability to express interesting and meaningful ideas in a confined space.
from Majesticprompts (via Instagram)

He had vanished all those years ago. All I had left was a pressed flower and an empty pack of cigarettes to remember him by. He offered me a world I could not fathom, so I Iingered behind. I guess the dying don’t lie. I promised I’d wait. Last night, he reappeared in a dream only to say I miss you, and that was enough. His eyes told me every story his lips could not, and I told him I dedicated every song to him at every show. I told him about the lightning showers. And that was enough.

from Majesticprompts (via Instagram)

Every time the sun rises out her window, she’s at a split in her story. Autobiography isn’t etched in stone. It is impermanent like fingers caressing rivers or kisses in the rain. Everything is until it isn’t. Everything feels fabled until you see how easily the stories dissolve. They crumble in the rain. She tells stories of her youth about the boy who drew blueprints for a house he could never afford. About the taste of honeysuckle in June. She can change the narrative. She can be the new beginning her children never had. Just run and don’t look back.

from Majesticprompts (via Instagram)

When I say I want to be described as breathtaking, I hope he realizes I mean beyond what can be seen. I hope it doesn’t sound like I want to be the girl in the sundress among a field of wisteria with golden light. I want my words to captivate. My soul to catch on fire. I want him to look at me and see my aura ablaze. I want to write poetry and stories that stop people’s hearts. That makes them forget where they are. Forget how to breathe. My words could be as unique as fingerprints. Don’t forget.

Isabelle Palerma