Healing: a Poem

I remember a photo I saw of a two-hundred-year-old
cherry blossom tree.
I imagine the events it must have borne witness to:
births, deaths, tsunamis, the rise and fall of empires,
but still its branches spread with pink and red blooms.
I wake up some mornings, an elegy for self
on my cracked lips, gazing upon my scars
and wondering why I’m still here.
But to some, I’m still blooming and they don’t see
the fractures I think define me.
Perhaps I still have some life in me.

If a tree can withstand two-hundred years
of storm and sun,
I, too, can live and love a little longer.

Isabelle Palerma

The (Not So) Gentle Parts: a Poem

You talk of your soul ossifying –
the soft parts hardening,
but I’m preoccupied with
pulling out the hems of reality,
ripping out the stitching.

I refuse to yield.

To be soft for too many years
means
to decay,
to become moss underfoot
& I refuse to become trampled.

They told me that the way you identify
lace is by its holes,
and I know now,
I never want to be recognized
by what I lack.

Instead,
I hunt for the parts of myself
that used to be consumed by the patriarchy
and men with hunger for eyes.
(The pieces of myself
that were consumed
because I swallowed my teeth
to make myself more digestible.)

But I don’t need a flashlight
or a search party —
I can be discovered quite easily.

I’m not the girl who I thought I was.
I’m the woman who refuses to surrender.
I forget my fight sometimes
(like the candle who neglected her flame),
but I am prepared for war.

I am no longer paraffin wax that pours down smoothly-
only to harden on your lungs.
I’m not the gentle pieces you stepped upon –
the dandelion you crushed & never asked
forgiveness of.

Isabelle Palerma

Monsters or Martyrs: a Poem

Pain is a razorblade skating down your throat.
(Are we monsters or are we martyrs?
Hide me in a closet or tie me to a tree &
you’ll see the true nature of the beast.)
A microphone amplified your voice,
so arenas could hear you shriek in anguish —
but no one heard the cry for help.

You splayed yourself open for dissection,
offered the world opportunity to see you
bare.
You clawed through your own midnight darkness
to provide a spotlight for the blind.
More dirt piled on you – who was digging your grave? – your screams muffled, the silence even louder.

When I wanted to scorch off my thumb prints &
erase my existence from the history books,
when I wanted to burn my diaries & abandon my name,
you were there.

(Are we monsters or are we martyrs?
Some of us are mere mortals,
but you were a savior beyond saving.)

You shouted, but no one could hear you
until it was too late.
If you swallowed that razorblade that waltzed
along your throat,
don’t bother telling me when you taste
the copper of blood.
Hide me in a closet or tie me to a tree.
You will see who I am & what makes a man
a man.

Forgive me.
I don’t know how to save you.
I can’t even save myself.

Isabelle Palerma

The Garden of Eden: a Poem

On January 18, 2015, at Stanford University, Brock Turner, a nineteen-year-old student, sexually assaulted Chanel Miller while she was unconscious. On September 2, 2016, Turner was released after three months for good behavior – only half his original sentence.

The original scene of the crime is now a garden.


If we could landscape the horrors
and build walls of stone (to call them beautiful),
we would.
But remember –
even without these gardens planted,
you can upend our worlds.

There are names we never speak in our households
like giving Satan a title (a crown)
James, perhaps,
or
Geoffrey, maybe.
The boys with ruddy skin & sharp teeth,
the boys with trust funds and drinking problems.

The girls we worry about are the ones
who think “no” isn’t a reason
or that “stop” isn’t a complete thought.

Photo by Yana Mazurkevich’s photo series, “It Happens”.

The ones who break us are the ones who teach us
rejection doesn’t matter —

nothing matters.

Boys aren’t always just boys.
Boys can be feral creatures:
unforgiving with dried blood
underneath their crescent moon nails.

Boys like Nathaniel and Brock and Christopher.

(The boys you thought were beautiful
are the ones who disrobed you
with their lust & savagely attacked your beauty
with no regard for how you crafted your stars
or lingered over your constellations.)

Manipulate me,
but I will always say your name.

I will not be quieted
because like the author warned me,
the girls who swallow their teeth
are the ones who get eaten.

So, I will not get roped into settling for
the garden of Eden and blamed for taking a bite
of the fruit of knowledge.

I will not be silenced.
I will not be vanquished.
I will scream.

Isabelle Palerma

The crime scene where administration refused to let the words Chanel Miller chose be placed on a plaque in honor of victims of sexual assault.

Our voices will be heard.

We will not be silenced.

Runner: a Poem

I’m writing absences where
your heart used to lie,
lacunae where stars used to soar.
You were my sanctuary,
& I thought I believed in
forever.

None of this is broken,
but sometimes, parts of me
fracture.

Every time I try to write,
memories of who I was or
who I could be resurrect
like Lazarus from a tomb.

My skin is barely hanging on my body & I have grown frail.
My desires are no longer carnal,
and my rage no longer violent.
(She told me the years would soften me like overripe fruit,
and I denied it like my hard edges
have an advantage.)

Now, here we are at the gates
and Peter interrogates me —
he asks me why I harbored so much hate,
but even if I have forgiven,
I couldn’t be lace and be defined by my empty spaces.

I feel like I’ve ruptured,
and a part of me will never be the same.
I’ve said it before, so maybe I’ll say it again,
a fabulist isn’t always a liar —
sometimes, just a storyteller.

I followed this line until it fractured
and you taught me about the
fault lines I never grew up along.
He asked me if I still smell like
autumn,
and people clamored to say
hazelnut coffee or brittle fall leaves.
I never knew who I was,
only what others saw.

I couldn’t be lace.
I read through the doctor’s notes
and they all diagnosed me the same –

a tired cliché.

This isn’t Plath nor will it ever be,
but the most I can ever ask for
is someone to love me as I am,
to take me into their arms,
and not to simply tolerate –
not to merely accept –
but to cherish, to celebrate,
to worship, & to love.

You gathered all these different parts of me,
all the different eras,
and you saw who I was reflected through each,
and you swore you’d stay
(as long as I didn’t push too hard).

I’ve been pushing people away
for centuries now,
and I’m tired.

This certainly isn’t the poem I started,
but now that you see me clearly,
tell me –
will you be the one to run?

Isabelle Palerma