poetry month

Poet Spotlight on: Odessa Grimm

Odessa Grimm, in their own words, is a poet who writes from the places people usually avoid – the quiet, heavy corners shaped by memory, trauma, and heartbreak.

Their work is raw and honest; sometimes, according to Odessa, it can be “uncomfortable” because they don’t believe in softening the truth to make it easier to hold.

When did you realize your writing voice had developed into your own?

It wasn’t just a single moment – more like when I noticed I stopped asking for permission to write and be myself. I realized my voice had settled in when I could read something and recognize it as something I was actually proud of.

How do you decide what goes into a poem and what to leave out?

I try to keep what carries weight and brings emotions out. If a line is only there to sound pretty, it usually goes. If it hurts a little, I leave it in.

What would your younger self think of your poems?

I think my younger self would feel seen – maybe a little exposed. Probably surprised the things they tried to hide became the very material I write about. There might be pride there but also a quiet kind of grief, realizing that the reason why I’m writing is because we lost our best friend.

What is a line from a famous poem that haunts you?

A line that stays with me is from Emily Dickinson:

“Tell the truth, but tell it slant.“

It lingers because it understands something essential about poetry that truth can be too sharp to face.

Angling it, shaping it doesn’t weaken it. It makes it survivable, and sometimes, more honest.

Do you believe poetry has the power to shape the world we live in?

I do think it can shape the world we live in but not in loud, immediate ways. It works slower than that. It changes how people see, and once perception shifts, choices follow.

A poem can name something someone didn’t have language for before, and that alone can alter how they move through life.

girls like me stop blooming
when we are told
your anger is unbecoming
your brightness is too much
your mouth is a threat
so we grey
quietly
& rot
elegantly.

-Odessa Grimm

Isabelle Palerma

The Woman who Couldn’t Die: a Blackout Poem

A prompt from Maureen Thorson.

“Write your own blackout poem. Maybe you’ll find something of interest in the Internet Archives.”

According to Claire McNerney, from The Writing Cooperative, “blackout poetry is a form of found poetry where the poet takes a text and removes words from it, creating a new text”.

Here’s mine:

She looked like a goddess,
no doubt,
in another way,
she seemed very much a woman.
She was primitive,
casual
in her childlike uncovering of her body,
in the unconcern of the eyes of others
when she bathed.
She knew that she was beautiful;
and she had knowledge of the power
of beauty.

She watched a wild goose fly overhead,
watched it as it disappeared from sight.
“Tell me,” she said, “where did I come from?”

Needling of apprehension through my body.
How much she should be told
was not easy to determine.
“From across the sea.”
“It must have been long ago.”
“Yes. It was long ago.”

Isabelle Palerma

Raw: a Poem

Slice through the heart of me
and wonder why I feel so raw.
There’s bleeding somewhere,
and yet I’m still searching for the cut.
I’ll seek out the scars,
but I didn’t know I was the one
clinging to the knife.

Isabelle Palerma

Lover, Lover: a Poem

A prompt from Maureen Thorson.

“In your poem for today, use a simple phrase repeatedly, and then make statements that invert or contradict that phrase.”

I wasn’t a lover; I was in love.
I transcribed messages from Cupid
onto your skin in lazy patterns.
I wasn’t a lover; I was in love.
I wrote you sonnets for each season
your heart quivered.
I wasn’t a lover; I was in love.
I drank of the light that glimmered
from your gazes.
I wasn’t a lover; I was in love.
I followed the pattern of your gait
and translated it into a message
only Morse himself could understand.
I wasn’t a lover; I was in love.
I took lessons in elocution,
so I could speak your name
in the most divine way.
I wasn’t a lover; I was in love.
I tasted the nectar of your cologne
to better ache for your touch
when you weren’t near.
I wasn’t a lover; I was in love.
I memorized poems to whisper
into the moonlight to send off
so you could still hear me –
even when I wasn’t near.
I wasn’t a lover; I was in love.
I always did love you, even before
the words cascaded from my lips.

Isabelle Palerma

Poet Spotlight on: Taylor Schwedux

Taylor Schwedux is an Australian self-taught artist and poet residing in Germany with her husband. Her journey into writing began at a young age, during primary school, where creative writing was one of her favorite activities—even in her free time. Over the years, she transitioned from many creative writing mediums, through songwriting to poetry.

Do you have any rituals when you write?

I do actually! When I sit down to write and want to focus, I refill my water bottle or make a tea on the side to drink, listen to lo-fi kind of music or music that helps to conjure ideas. There are some on YouTube I’ve come across where it sounds like you’re writing in a moving train or at a café. During these times, I also set timers. I may do a 30-45 minute session like this, or sometimes I could go over 2 hours just writing, turning off all the timers because I’ve been really in the zone with it, and my mind is burning with ideas.

Are there any particular poets who inspired you to write poetry?

Upon the first few poems I wrote when I was 13-19 and reworked for the book, I was heavily influenced by William Shakespeare’s sonnets. I had a lot of schoolwork surrounding Shakespeare and his plays. Also, not to mention – Sylvia Plath, Emily Dickinson, Oscar Wilde and Robert Frost.

What emotions are hardest for you to write about with great honesty?

As sad as this may sound, I find writing about happiness the hardest. Happiness to me is not always as universal as sadness or grief can be. When I’m sad, I find writing is the one thing I go to; when I am happy, I tend to live in that happy moment and not write about it was that made me happy.

Since a lot of your poetry seems to be autobiographical, does it ever worry you to share it with others?

Honestly, before publishing I had fears of being misunderstood for how different my life and upbringing is to a lot of people who never had that. It was the opposite for me, I felt a relief, as if weight was being lifted off my shoulders as I set my book out into the world. (Explain why I went ahead and published and why being misunderstood never stopped me).

I read a lot of poetry prior to it being published, especially more modern ones and seeing their works made me feel as though I can do this as well.

What does your first draft of a poem look like?

It definitely leans towards the messy type. I have poems written in my phone notes app, in a writing book, on my PC notes and even at times, scraps of paper If my phone isn’t near me. Thankfully, I keep my scraps of paper in a plastic sheet and go through it as soon as I can , rewriting what I wrote into my book.

When do you usually feel inspiration strike?

Inspiration can strike for me at any time, and sometimes being 3am, in the middle of being in a deep sleep needing to quickly write something on my phone notes. Sometimes when I’m out and about, something may catch my eye or I hear someone say something I will write it down and also a tiny description of what happened, what I heard or saw; to help with documentation of the inspiration.

If you could seal any one line from a poem in a message in a bottle, what would it be?

I think the poem “Dreams” from Langston Hughes is what I’ll seal into a bottle.
“Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly…”

Fire With Fire

To fight fire with fire,
Or to extinguish the flame?
Oh, how I love to play this dangerous game— Me against the dancing blaze.
I feed my sorrow to the embers, Watch them crackle, twist, and grow, As the fire slowly learns what it needs to know.
To fight fire with fire
Or to extinguish the flame?
Perhaps it’s this question,
That’s bound me to this game.

-Taylor Schwedux