Heartbreakers: a Short Fiction

“A love story told backwards, starting from the ending.”

trigger warning: begins with a vague implication of suicide.

I don’t know how to tell you this, and maybe it’s better I don’t.

And I know one day, I’d break your heart.

Maybe it’s better I don’t.

I’m lying in a hospital bed, a mixture of medicine and whiskey in my stomach. I’m dying, Fiona.

I used to write you letters after you left me. They weren’t exactly love letters. Well, I’m not sure you ever read them, but they were begging for forgiveness, Fiona. I know I messed up along the way. I see where I screwed up now.

I sent you little photographs I took. I don’t know if you ever looked at them, Fiona, but I took small photos. Random things here & there. Pictures I thought you’d like. The moon. A watch tower. Sometimes, I’d include things I’d find on walks. Bird feathers. Business cards floating around, then stomped on by passing cars.

Anyway. I thought about us a lot before I ended up here in the hospital.

About our story.

The way you slammed the door the last night we were together. The way the stars blinked as I tried to hide my tears when I told you to get out of my house. I watched you leave. You didn’t have a car or a bus pass, but you held your chin high and walked away.

I wonder where you walked to, but you never came back like I thought you would. We had fought one last time. Screamed one last time over some stupid thing. I accused you of cheating. You told me I was stupid and suspicious.

Fiona, you were right. I was stupid and suspicious.

You were too lovely to be mine.

I knew I couldn’t keep you. I was bound to destroy something so beautiful.

I remember the glint in your eye. The hurt look in your green eyes.

A part of me wanted to rush over, to beg forgiveness, but I barrelled on anyway like an idiot, accusing you.

It was just an accusation before I shouted.

But before the accusations, before the shouting, we were in bed together, it was nice. My breath was like cigarettes and whiskey. I hadn’t known it at the time. It was just us holding one another, watching some black-and-white film. Some classic movie you begged me to see. And when I turned to kiss you, you asked me to brush my teeth.

My feelings were too delicate, I guess.

I didn’t know the brutish combination of cigarettes and whiskey.

I could have just brushed them instead of turned into a monster.

But even before the film, there was a girl who loved a boy.

She held him near and whispered away his ghosts – the ones who troubled him like that of his former friends who didn’t understand him or his mother who told him nobody would love him.

And Fiona, I wanted to ask you to marry me one day. I truly did.

And we went out on dates. I took you out and showed you off. You with your lustrous dark hair and beautiful eyes like jade. You whose hair I brushed at bedtime, after making love.

It was backwards and all out of order. I fell in love with you the moment I saw you, but I couldn’t because you were too lovely and I knew one day, you’d break my heart.

Isabelle Palerma

Memories: a Poem

Forgive me.
Memories are a wound &
I must carry them.
Nostalgia lies close to my skeleton bones,
and yet my past is clouded
like a mirror with its shine worn off.
Whenever I try to recall the small details of you,
it’s like gazing at a blurry photograph taken
many years ago
of someone I once loved.

& remembering your voice,
though I could listen to it the rest of my days,
is like hearing a phonograph underwater.

The way it falters in my mind
as though you have a stammer,
though I know you never stuttered.
It’s my mind that creates the gaps.

Memories are a wound &
I must carry them.

As I carry them, the past becomes less certain
and I wonder if my memories are true
or perhaps just something I wrote down
in a book.

Storytellers don’t always make the most reliable narrators,
but even through the gauzy haze,
our memories glimmer with a whispering beauty.

Isabelle Palerma

A Cage for Your Heart, the Softness of Sadness, and the  Gentle Lull of Love: a Poem

An architect constructed you a mansion
for your heart and you called it a cage.
He crafted each room with so much caution
and care.

The muscle nestled between your ribs
felt like a boulder I was incapable of swallowing,
I am a myth,
tugging on strings that have strangled me.

My fantasies were polished glass shards
shattered by laments and heartbreak.
Ancestors draped mirrors
with black organza in bereavement
after a loved one died.
The fabric is as light as a ghost,
so tell me,
how did I still I wake up with
bits of glass crunching beneath my feet?

The sadness was a fragile creature –
the weight of black organza –
and yet I am a myth,
desiring nothing more than to pull
the strings that choke me.

But it’s gentle sometimes,
sneaking in like a moth,
as soft as a ballerina’s skin
and barbed wire.

Our wires danced across the dance floor,
and if you watch,
we might just choke on the memory,
the softness of sadness, and
the gentle lull of love.

Isabelle Palerma

The Ugly Word for Rebecca: a Short Fiction

Ever since I met Rebecca, I vowed to never separate ourselves. To be entwined with her. But to be inextricable to the one you love can be seen as unhealthy, Mother said. So I found times where I’d be away from her. Brief pockets of time.

And yet, even when I was away, I found myself thinking of her. I remember the first moment I first saw her. I was walking down Main Street, and I caught a glimpse of her through the window of the dress shop. I had no excuse to go into a dress shop naturally, but I remember fumbling around and telling Penelope, the dressmaker, something about my mother’s upcoming birthday. I had muttered something about wanting to surprise her with a dress, but the whole time, my eyes were on Rebecca.

She didn’t even look like she belonged there. Her gaze haunted me, and I suppose Penelope noticed the way I stared, my eyes lingering over Rebecca. She chuckled a bit, and then acknowledged my brazen desperation, my lascivious desire. “That’s Rebecca,” Penelope told me at the time, “bring her home if you’d like.” Shaking her head, she added, “The girls these days think wooden mannequins like Rebecca are outdated.”

Mannequin?

What an ugly word for my queen.

I ignored the jab and bought my mother’s dress, the pretense under which I came to see my newfound partner. Once purchased, I scurried out and hastened home.

Of course, Mother turned up her nose at Rebecca. Mother has always been a snob. I supposed Rebecca wasn’t haute couture enough for her, in her simple tea-length dress, but I found her stunning.

Mother and I still lived together, but she often stifled me, tutting at my choice in books or television. Sometimes, turning up her nose in the food I brought home from the grocer.

But now, Rebecca.

I put my foot down. I told her I loved her and I loved Rebecca. That she had to respect our love.

She scoffed but did not reply.

Finally, I heard her mutter something about wooden mannequins under her breath.

There was that ugly word again. Mannequin. Rebecca and I retired to bed early that evening.

I touched her tenderly as we lay in bed. On her back, she stiffened as I murmured, “I noticed you didn’t touch your dinner.”

Reproached by her silence, I kissed her cheek and said good night.

The next morning, I helped Rebecca out of bed. It was cold outside, so neither of us felt like getting up, but we knew we needed to. I brought her tea, but she didn’t drink it. I offered her coffee, but she wouldn’t speak.

Finally, as the three of us sat at the table, Mother suggested I get groceries before the snow started coming down worse.

I looked toward Rebecca, hoping she would join me – or at the very least, acknowledge me going into the snow storm. She punished me with silence. I hugged her tightly before I left.

I whispered to her, “I love you.”

The ensuing silence stung and as I reached the door, I wiped the tears from my eyes as she stared at me blankly. It was as though she had no emotions toward me whatsoever, but I knew that couldn’t be the case.

We’d shared such a connection.

“I’ll be home soon,” I assured her.

Mother rolled her eyes.

***

As I unpacked the brown paper bags from the back of our station wagon, I smelled the smoke. Mother must have found some firewood around back and made a fire.

A part of me was relieved. The warmth would be nice.

I placed the bags on the Formica counters in the kitchen and began to organize the groceries, inhaling the deep woodsy smell as I did. Jars of pickles and blocks of cheese. Deli meat. Loaves of bread. Eggs. Cartons of milk. Everything I could think of.

I didn’t remember anyone dropping off firewood yet this year, it occurred to me, as I was putting the deli meats in the refrigerator. Then, I grabbed a jar of pickles, ready to pack them away until we needed them when I thought to check on my mother and Rebecca. That’s when the thought occurred to me.

The ugly thought.

The one I kept telling myself not to think.

How Penelope told me and my mother told me and how everyone laughed at me because Rebecca was a wooden mannequin.

And in that moment, I remembered without a shadow of a doubt we didn’t have firewood.

But we had an ax and my girlfriend whom my mother despised.

The only thing left when I got to the fireplace was my mother prodding Rebecca’s head deeper into the fire. My beloved’s eyes twinkled from the flames as my mother giggled with glee.

“Turns out,” my mother said, laughing, “your girlfriend is good for something.”

Isabelle Palerma