An architect constructed you a mansion
for your heart and you called it a cage.
He crafted each room with so much caution
and care.
The muscle nestled between your ribs
felt like a boulder I was incapable of swallowing,
I am a myth,
tugging on strings that have strangled me.
My fantasies were polished glass shards
shattered by laments and heartbreak.
Ancestors draped mirrors
with black organza in bereavement
after a loved one died.
The fabric is as light as a ghost,
so tell me,
how did I still I wake up with
bits of glass crunching beneath my feet?
The sadness was a fragile creature –
the weight of black organza –
and yet I am a myth,
desiring nothing more than to pull
the strings that choke me.
But it’s gentle sometimes,
sneaking in like a moth,
as soft as a ballerina’s skin
and barbed wire.
Our wires danced across the dance floor,
and if you watch,
we might just choke on the memory,
the softness of sadness, and
the gentle lull of love.
new poet
Rain, Changing Seasons, & Hiraeth: “Ghost Line” Poems
In March of 2009, the poet Rachel McKibbens introduced the poetry community to the concept of the “ghost line”. McKibbens defines the ghost line as “an inspiring line or image that becomes the unseen first line of a poem”.
The poet Ollie Schminkey provided their readers with a poetry prompt on April 9, 2025.
The prompt is as follows:
Use a line of a lyric from a song you have been listening to as a ghost line.
Here are a few more “ghost line” poems.
i: rain
These shapes I see in the darkness all conform
to your figure
and your cologne is like petrichor but faint.
I think if I listen to the silence long enough,
I can hear you whisper my name.
(Don’t tell anyone –
they’d think I belong in bedlam.)
But, as I trace raindrops along my windows,
I remember scribbling in my Latin book,
Amantes sunt amuntes –
lovers are lunatics –
and it doesn’t take the taste of rain to know
the truth.
I’ll continue to watch the raindrops trickle down
and chase shadows in the dark,
but I won’t surrender to the madness
because this is love and every silent evening,
I whisper to see if I can hear your echo.



ii: changing seasons
Here we are, chasing these temporary highs
like nightcrawlers leaning close to their radios,
begging for a fix,
but in a sad state of panic,
you told me you thought your blood froze to ice
(and you said you didn’t want to self-destruct
to stay warm).
I offered you a cigarette,
but you shook your head and said,
“I don’t want a solution for my problems –
just someone who can commiserate.”
So, we went outside in autumn
and watched the leaves change colors for a while.
You told me,
“It’s nice to remember that even dying can be
beautiful
for some.”




iii: hiraeth
Every broken bone I never set right
aches on me
as though I have been falling asleep in airports.
I’m never where I want to be
because I swear, I don’t know where I want to be.
Is it homesickness, even if you don’t know
where your home is?
I traveled a thousand miles from here
just to end up back in this wasteland
and I booked a train ride
out of town
because a girl with straw-blonde hair
read from the Rider-Waite tarot deck,
telling me to leave this city behind.
(But everything hurts when I remember
the details.)
I watch it all like it’s a dream.
I pretend it’s not my life,
but that has to stop.
Everything hurts like an unexplained car crash,
but even though I’m a thousand miles away,
I’m the one behind the wheel.
(And is it homesickness,
even if you’re already home?)



Isabelle Palerma
Eluxoroma: a Follow-up Poem to Lypophrenia
“A term invented by author Gregory Venvonis to describe the devotion to positive spiritual growth amid underlying darkness.”
Though the glimmer might be eradicated
(from time to time),
it is always capable of shining again.
Though it can be hard to see when cloaked
in midnight,
your mind is capable of fabricating untruths
like a ruthless politician or an adversary.
(It’s why we tried to give the enemy
a name –
to make him easier to talk about
then just an abstract concept.)
But the boulder that buries itself
on top of you,
smothering your breathing
and swallowing your light,
is also capable of eroding.
It might feel like centuries have passed you
by,
but just know –
after every winter, we see flowers blossom.
You, too, will blossom again.
I will resurrect from this darkness
and discover my light from within.
(Even if I have to excavate my soul
like some damned archeological dig.)
It’s too easy to surrender,
but we’ll fight through the frost,
push past the sparrows’ wings that beat
furiously
against our bones,
and surmount our devils.
(The ones we have named
and even the anonymous ones
who prefer to cower in the darkest places
inside us.)
Isabelle Palerma
The (Not So) Gentle Parts: a Poem
You talk of your soul ossifying –
the soft parts hardening,
but I’m preoccupied with
pulling out the hems of reality,
ripping out the stitching.
I refuse to yield.
To be soft for too many years
means
to decay,
to become moss underfoot
& I refuse to become trampled.
They told me that the way you identify
lace is by its holes,
and I know now,
I never want to be recognized
by what I lack.
Instead,
I hunt for the parts of myself
that used to be consumed by the patriarchy
and men with hunger for eyes.
(The pieces of myself
that were consumed
because I swallowed my teeth
to make myself more digestible.)
But I don’t need a flashlight
or a search party —
I can be discovered quite easily.
I’m not the girl who I thought I was.
I’m the woman who refuses to surrender.
I forget my fight sometimes
(like the candle who neglected her flame),
but I am prepared for war.
I am no longer paraffin wax that pours down smoothly-
only to harden on your lungs.
I’m not the gentle pieces you stepped upon –
the dandelion you crushed & never asked
forgiveness of.
Isabelle Palerma
The Garden of Eden: a Poem
On January 18, 2015, at Stanford University, Brock Turner, a nineteen-year-old student, sexually assaulted Chanel Miller while she was unconscious. On September 2, 2016, Turner was released after three months for good behavior – only half his original sentence.
The original scene of the crime is now a garden.
If we could landscape the horrors
and build walls of stone (to call them beautiful),
we would.
But remember –
even without these gardens planted,
you can upend our worlds.
There are names we never speak in our households
like giving Satan a title (a crown) –
James, perhaps,
or
Geoffrey, maybe.
The boys with ruddy skin & sharp teeth,
the boys with trust funds and drinking problems.
The girls we worry about are the ones
who think “no” isn’t a reason
or that “stop” isn’t a complete thought.

The ones who break us are the ones who teach us
rejection doesn’t matter —
nothing matters.
Boys aren’t always just boys.
Boys can be feral creatures:
unforgiving with dried blood
underneath their crescent moon nails.
Boys like Nathaniel and Brock and Christopher.
(The boys you thought were beautiful
are the ones who disrobed you
with their lust & savagely attacked your beauty
with no regard for how you crafted your stars
or lingered over your constellations.)
Manipulate me,
but I will always say your name.
I will not be quieted
because like the author warned me,
the girls who swallow their teeth
are the ones who get eaten.
So, I will not get roped into settling for
the garden of Eden and blamed for taking a bite
of the fruit of knowledge.
I will not be silenced.
I will not be vanquished.
I will scream.
Isabelle Palerma

Our voices will be heard.
We will not be silenced.