An architect constructed you a mansion
for your heart and you called it a cage.
He crafted each room with so much caution
and care.
The muscle nestled between your ribs
felt like a boulder I was incapable of swallowing,
I am a myth,
tugging on strings that have strangled me.
My fantasies were polished glass shards
shattered by laments and heartbreak.
Ancestors draped mirrors
with black organza in bereavement
after a loved one died.
The fabric is as light as a ghost,
so tell me,
how did I still I wake up with
bits of glass crunching beneath my feet?
The sadness was a fragile creature –
the weight of black organza –
and yet I am a myth,
desiring nothing more than to pull
the strings that choke me.
But it’s gentle sometimes,
sneaking in like a moth,
as soft as a ballerina’s skin
and barbed wire.
Our wires danced across the dance floor,
and if you watch,
we might just choke on the memory,
the softness of sadness, and
the gentle lull of love.
poet
My Favorite Problem: a Poem
I have never showered
in grief –
I guess that’s one of my favorite problems.
I can’t vow that my hands are good for anything.
My fingers are usually too numb
to hold a pen for long,
& yet,
I try to craft poetry and art out of thin air.
I took a train west, thinking running
might solve my problems.
I flew out east.
I never know if I’m running toward or from,
I guess that’s one of my favorite problems, too.
I’ll try to settle down for a while.
I never thought I’d be stable,
but sometimes, I wake up forgetting the past.
Sometimes, I wake up forgetting you.
Infinity paralyzes people sometimes;
the prospect of forever can intimidate.
I just want to remember who I was
before all the casualties of running.
I’ll try to settle down for a while.
I never thought I’d be stable,
but sometimes,
I wake up forgetting the past.
Sometimes, i wake up forgetting you.
I never know if i’m running toward or
from,
I guess that’s one of my favorite problems, too.
I try to craft poetry and art out of thin air.
I guess that’s one of my favorite problems.
Can you distort what I’ve forgotten,
take this blurry snapshot,
and turn it into something real?
Can you distort this blurry snapshot
and make it your favorite problem?
Isabelle Palerma
“Come into my Parlor,” said the Spider to the Fly: a Halloween Poem
The prompt was, “Write a poem about spiderwebs.”
Spiders wait in corners
of intricate webs —
their trappings
lovely
by design.
Once, I thought,
“What a fool to be stuck,”
but now,
older
(and none the wiser, by any means),
I see their elaborations
and think myself a fly.
Isabelle Palerma
Before the Storm: a Poem
Scratch the line that burns me
like the arsonist who tried to silence my voice
with smoke.
I swallowed the smolder,
but the syllables turned to ash against my broken
teeth.
The world pleaded for silence, but I raised my voice.
The world asked for quiet,
and in exchange,
I gave it my voice sharpened to a blade.
Don’t ask for cotton when all you gave me were
scars.
Beware the silence you begged for –
it’s simply the calm before the storm.
Isabelle Palerma
Rain, Changing Seasons, & Hiraeth: “Ghost Line” Poems
In March of 2009, the poet Rachel McKibbens introduced the poetry community to the concept of the “ghost line”. McKibbens defines the ghost line as “an inspiring line or image that becomes the unseen first line of a poem”.
The poet Ollie Schminkey provided their readers with a poetry prompt on April 9, 2025.
The prompt is as follows:
Use a line of a lyric from a song you have been listening to as a ghost line.
Here are a few more “ghost line” poems.
i: rain
These shapes I see in the darkness all conform
to your figure
and your cologne is like petrichor but faint.
I think if I listen to the silence long enough,
I can hear you whisper my name.
(Don’t tell anyone –
they’d think I belong in bedlam.)
But, as I trace raindrops along my windows,
I remember scribbling in my Latin book,
Amantes sunt amuntes –
lovers are lunatics –
and it doesn’t take the taste of rain to know
the truth.
I’ll continue to watch the raindrops trickle down
and chase shadows in the dark,
but I won’t surrender to the madness
because this is love and every silent evening,
I whisper to see if I can hear your echo.
ii: changing seasons
Here we are, chasing these temporary highs
like nightcrawlers leaning close to their radios,
begging for a fix,
but in a sad state of panic,
you told me you thought your blood froze to ice
(and you said you didn’t want to self-destruct
to stay warm).
I offered you a cigarette,
but you shook your head and said,
“I don’t want a solution for my problems –
just someone who can commiserate.”
So, we went outside in autumn
and watched the leaves change colors for a while.
You told me,
“It’s nice to remember that even dying can be
beautiful
for some.”
iii: hiraeth
Every broken bone I never set right
aches on me
as though I have been falling asleep in airports.
I’m never where I want to be
because I swear, I don’t know where I want to be.
Is it homesickness, even if you don’t know
where your home is?
I traveled a thousand miles from here
just to end up back in this wasteland
and I booked a train ride
out of town
because a girl with straw-blonde hair
read from the Rider-Waite tarot deck,
telling me to leave this city behind.
(But everything hurts when I remember
the details.)
I watch it all like it’s a dream.
I pretend it’s not my life,
but that has to stop.
Everything hurts like an unexplained car crash,
but even though I’m a thousand miles away,
I’m the one behind the wheel.
(And is it homesickness,
even if you’re already home?)
Isabelle Palerma 