Spirits Follow Me Here, Too: a Short Fiction (Part I)

May is National Short Story Month, and in honor of National Short Story Month, I decided to write a short story combining my interest in tarot and witchcraft with fiction. I hope you enjoy the result.

For the past three years and seven days, I have carried a deck of gilded and black tarot cards in my worn-out messenger bag. My nonna had given them to me when I was seventeen but taught me to read when I was thirteen. “A gift,” she had told me, “every teen girl should know.”

She had warned me about the responsibilities associated with owning my own deck. She described the difference between the waning crescent moon and a waxing gibbous moon. She had braided my hair and wished to take me to find stinging nettle and mugwort. My nonna had wanted to collect crystals with me and to charge them under the full moon.

But she told me too, there were seasons for these things, and my season was not upon me yet. I was too young. By the time she felt my season was upon me, her cough had turned to blood and her hair was falling out on her pillow case in clumps.

Nonetheless, she tried teaching me. I listened, her voice enchanting me with its ebb and flow, but as she shuffled her tarot cards – the black and gold ones – I found myself ensorcelled by their haunting images.

Later, when the cancer ate away at the good parts of her, spirits rose like whispers in the dark. Before she passed, she taught me not just how to read the cards but how to cleanse them too. Her hushed voices spoke of the different spreads, her gnarled hands passing over the cards as practiced as a magician. Despite all my attempts with her, I still fumbled.

I wanted to make my nonna proud. I did everything in my power to become the witch she was teaching me to become, trying to train my gestures to be smooth as I read the cards, trying to keep the trembling out of my voice when I read for others.

After a few years, the cards became creased and a little worn, but my knowledge had grown. I no longer needed the paper with my nonna’s web-thin penmanship, but I kept it near as a reminder. As they passed over the cards, my hands were methodical, utilizing gentle, polished movements.

Though some interpreted my tattered cards as a sign of accumulated gifts, I just took it as a more storied past. After all, before they belonged to me, my cards were held by my nonna. Who knows what history those cards nurtured? When my mama kicked me out of our apartment at seventeen, I needed a job. Fast. And luckily for me, I found my calling.

A smoky jazz club called The Crow’s Nest had set up a small table for me to read my cards. They covered it with diaphanous scarves and told me to make myself look mysterious. I didn’t know how to make myself look mysterious but wore my dark black hair long and partially covering my eyes.

The club’s proprietor set the scarred table up with the fabric and a handful of stumpy candles. It was wedged between a small, makeshift stage, the bar, and the kitchen. He offered me a crooked grin. “You good, baby girl?”

I nodded.

People brought me strange gifts, hoping that by holding items that had belonged to their deceased loved ones, I’d hear their voices. And yes, their voices called me. From a wedding band, I heard a father beg his widowed wife to remarry. From a handkerchief, a great-grandmother reminded her great-grandchildren, the ones who scarcely knew her, to live.

But the tarot cards were where my heart belonged.

That first October night he set me up at The Crow’s Nest, I drew a single card for myself before anyone approached my table. One solitary card that would predict everything.

The Ace of Wands.

I nearly wept. The Ace of Wands has always represented the seed of potential, new ideas, and even though I didn’t know it at that time, the Ace of Wands would herald a new beginning in my future.

And right as I flipped the card to face me, that new beginning strolled into the bar.

The spirits around me danced, rustling awake from their tombstones, and resurrected from their sleep. I, on the other hand, simply felt the dust brush off my cards and knew it was time to begin again.

Isabelle Palerma

This short story is entirely my own content – no A.I. used to create this.

Softening, Out-of-Focus Romance, & Love Extinguished: Three “Ghost Line” Poems.

In March of 2009, the poet Rachel McKibbens introduced the poetry community to the concept of the “ghost line”. McKibbens defines the ghost line as “an inspiring line or image that becomes the unseen first line of a poem”.

The poet Ollie Schminkey provided their readers with a poetry prompt on April 9, 2025.

The prompt is as follows:

Use a line of a lyric from a song you have been listening to as a ghost line.

i: softening

Before they exhume our bodies
from this cold hard earth,
I will make a subtle plea,
begging you to quiet that nest
you have woven in your skull.
(Silence the birds or hornets or whomever
comes to roost
in the twigs and branches there.)

Before they dig our bodies
from this cemetery ground,
I will make a hushed demand.
Relax your body beside me.
Your skeleton is crafted of exquisite granite,
but I remember when it was bone.
Soften, my love,
and be still.

ii: out-of-focus romance

This twig and branch nest sculpture is home
to a part of me I have never named.
Creatures who blur the edges of memory
when a lover is involved.
(It’s not that I don’t remember –
it just becomes out-of-focus
like a dream.)

This is what happens when you have been raised
on tawdry romances and inescapable dreams.

*Photos via Yaroslav Shuraev, Daria Liudnaya, & Natalia Naitkevich.*

iii: love extinguished

These wraiths might not catch breath
as they dance along cobblestone,
but, so long as I am here
with you, my love,
none of the rest matters.

I have diaries scrawled with messages
of love,
dedicated to the creatures
who have blurred the edges
of my memories.

Yet I watch the apparitions
and know the truth.
I have you, and you have me.
(We are here among tombstones,
and love like ours cannot be extinguished.)

Isabelle Palerma

Nostomania: a Poem

“A deep longing for home — not just as a place, but as a feeling.”

This rampant desire seizes a deep part of me
like breath
(nearly as important as the inhalation/exhalation
my lungs have been known to practice daily).

I have searched for belonging in places,
in persons unfamiliar as though the answers
would simply arrive.
I grew up in a house that was beautiful,
but I felt like I was sleeping in hotel paper.

I have sought something deeper
than the flimsy doilies and brocade curtains.
Something I could place more value in
than porcelain dolls purchased for me
(without a single consideration
into my interests, my passions).

I have wished for something that birthday candles
could not even begin
to scratch the surface of.

If I told you,
perhaps you’d laugh.
An orphan does not have a family,
you would remind me,
as I introduce you to my mother and father,
my brothers and their wives,
the grandmothers and grandfathers,
all the cousins and aunts and uncles.
Poverty does not look like all of this.

(Then,
why did I feel so empty?)

Homelessness does not come
when you have shelter,
a roof over your head.

(But then, explain why
I only found a home
when I found someone who loves me
unconditionally.)

Isabelle Palerma

Eluxoroma: a Follow-up Poem to Lypophrenia

“A term invented by author Gregory Venvonis to describe the devotion to positive spiritual growth amid underlying darkness.”

Though the glimmer might be eradicated
(from time to time),
it is always capable of shining again.
Though it can be hard to see when cloaked
in midnight,
your mind is capable of fabricating untruths
like a ruthless politician or an adversary.

(It’s why we tried to give the enemy
a name –
to make him easier to talk about
then just an abstract concept.)

But the boulder that buries itself
on top of you,
smothering your breathing
and swallowing your light,
is also capable of eroding.

It might feel like centuries have passed you
by,
but just know –
after every winter, we see flowers blossom.

You, too, will blossom again.
I will resurrect from this darkness
and discover my light from within.
(Even if I have to excavate my soul
like some damned archeological dig.)

It’s too easy to surrender,
but we’ll fight through the frost,
push past the sparrows’ wings that beat
furiously
against our bones,
and surmount our devils.

(The ones we have named
and even the anonymous ones
who prefer to cower in the darkest places
inside us.)

Isabelle Palerma

Lypophrenia: a Poem

“A feeling best described as sorrow that has no clear cause.”

We thought by giving him a name,
it couldn’t break me so badly,
but the agony still extinguishes the illumination
within my irises, within my pupils,
within my soul.
There is a darkness deeper than I care to admit,
but I cannot hide from forever.
(My fire has not ignited in days,
yet I cannot hide in bed
and relinquish myself to the shadows
completely.)

I swore to myself
I would not drown in thoughts such as these,
but sometimes,
the devastations are greater than I can control.

It sometimes feels as though
I am caught in a riptide,
the ocean current pulling me away
from everyone who loves me
until all they are is a speck of sand,
a memory.

(My honesty is raw,
my words are plain.
I usually hide behind an ornate metaphor
crafted carefully and I tread with caution –
not to overstep the boundary lines.)

I have picked up the pen several times,
but the ink well is dry
and my thoughts crystallize
like honey thickening as it cools.
Nothing makes sense when the demons
take the reins
& I try to swallow the bile down.

I try to offer a courageous smile,
but I feel weak and collapsing
is the only option I have sometimes.

Don’t judge me for the anguish I carry.
Each one is a sparrow beating its wings
inside my chest,
desperate to be released but finding a home
buried deep in my rib cage
alongside that dimly burning crystal
that is a barely beating heart.

(I cannot swallow
for all the feathers that have climbed
from my chest to my throat,
from my throat to the wet insides of my mouth.)

So, instead, with this inexplicable sadness,
I lie here,
my heart – my sparrows – knocking against my chest
(an unspoken tragedy bearing down on me).

Isabelle Palerma

Image via freepik.com